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Who makes all beautiful on which she smiles!,

"That word shall never pass my lips again in your company,—never, I swear!" says he, "until you give me leave. My darling," in a low tone, "if you could only know how vexed I am about the whole affair, and my unpardonable conduct! Yet, Mona, I will not hide from you that this little bit of senseless heather has made me happier than I have ever been before.",

He leans against the window and looks out anxiously upon the darkening twilight. His mother watches him with curious eyes. Suddenly he electrifies the whole room by whistling in a light and airy fashion his favorite song from "Madame Favart." It is the "Artless Thing," and nothing less, and he whistles it deliberately and dreamily from start to finish.,

"No, no, indeed. You have behaved admirably where most women would have ignominiously failed. Let that thought console you. To have a perfect temper, such as yours, should be in itself a source of satisfaction. And now bathe your eyes, and make yourself look even prettier than usual. A difficult matter, isn't it?" with a friendly smile.

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"What has he done that he should be excluded?" demands Nicholas, a little excitedly. "If he can prove a first right to claim this property, is that a crime? He is our cousin: why should we be the only people in the whole countryside to treat him with contempt? He has committed no violation of the law, no vile sin has been laid to his charge beyond this fatal one of wanting his own—and—and——",

"She is out," says Lady Rodney, in a compressed tone.,

"You and I appreciate Jack, if she doesn't, don't we, Mona?" she says, with pretty malice, echoing Mona's merriment. After which the would-be lecture comes to an end, and the three girls, clothing themselves in furs, go for a short walk before the day quite closes in.,

As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.