"What then did she mean to do?" "Not in any way?"!

"No, I'm not afraid now." She couldn't, however, succeed for so very many minutes in deferring her exposure. "Why didn't you wait, dearest? Ah, why didn't you wait?"—if that inconsequent appeal kept rising to her lips to be cut short before it was spoken, this was only because at first the humility of gratitude helped her to gain time, enabled her to present herself very honestly as too overcome to be clear. She kissed her companion's hands, she did homage at her feet, she murmured soft snatches of praise, and yet in the midst of it all was conscious that what she really showed most was the wan despair at her heart. She saw Mrs. Gereth's glimpse of this despair suddenly widen, heard the quick chill of her voice pierce through the false courage of endearments. "Do you mean to tell me at such an hour as this that you've really lost him?"

The way Owen hung fire at this question made it sound more playful than she had intended. She had, in fact, no consciousness of any intention but that of confining herself rigidly to her function. She could already see that, in whatever he had now braced himself for, she was an element he had not reckoned with. His preparation had been of a different sort—the sort congruous with his having been careful to go first and lunch solidly at the inn. He had not been forced to ask for her, but she became aware, in his presence, of a particular desire to make him feel that no harm could really come to him. She might upset him, as people called it, but she would take no advantage of having done so. She had never seen a person with whom she wished more to be light and easy, to be exceptionally human. The account he presently gave of the matter was that he indeed wouldn't have come if he had known she was on the spot; because then, didn't she see? he could have written to her. He would have had her there to let fly at his mother. Fleda received with the same stoicism the quiet immensity of this allusion to the person who had not known how. But it made her think a little, and the thought found utterance, with unconscious irony, in the simple interrogation: "Mona?" "You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!"