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“No, no! They’ll kill us!”,

The second act brought a conflict between elves and gnomes, and the fairies, when first the earth sprites were victorious, but at last the fairies. May Nell was the Fairy Queen, and enchanted all with her beauty, her dancing and singing, and her acting, which was sweetly childish as well as clever.,

Mrs. Mifsud, in the lead of the rescuing party, ran through the garden gate in time to see St. Elmo fall headlong, his feet having become entangled in the long rank grass near the fence.,

“Some of the real stuff,” he requested, “just to make these folks realize they haven’t begun to live yet.”

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Nancy was the older and larger of the two, and having long been the pampered favorite of the house, she had at first resented the introduction of Jethro. She would not associate with him at all, and whenever he came dancing into the room where she was, she generally withdrew with the greatest possible dignity.,

While Betty, mounted on a bench in the shed, was getting down her watering-can, Job, who during the afternoon had searched diligently but vainly for her, rounded the corner of the garden fence. He noted the open gate and sped towards it. As he entered the garden his eye fell on St. Elmo who stood absorbed and expectant. The turkey, his odd corner-wise gait accentuated by his anxiety of mind, rushed towards the child who at first did not notice his approach. But presently, turning around, St. Elmo beheld an apparently formidable assailant which by the most powerful flight of imagination could not be mistaken for a fairy. All escape by way of the gate was shut off by the intruder. St. Elmo’s plump legs, bare above his low socks, twinkled as he ran wildly towards the foot of the garden.,

“Oh, my conscience! That isn’t any matter. All the grandest actors have the dying parts; and they die gloriously; and the audience claps and claps and claps; and the curtain goes up, and they all come out alive again and bow and smile; and you eat some candy and don’t cry any more.”,

Another sound in a somewhat higher key was heard. Moses had simply modulated in his domestic symphony of labor from a major task to a minor one. As a change and refreshing recreation, Moses was allowed to turn the small wheat-mill. Ninety soul-stirring turns it required to empty the hopper once, and he must turn out enough flour for a batch of bread. His youthful soul was in revolt at such servitude. He had no sympathy to squander on the children of Israel in bondage vile. Making bricks for Pharoah was infantile amusement compared to his labor.