sattmatka sattmatka 143

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"Well, God love his gentle heart, ut's himself now'll hardly be carin' phwat becomes o' the money, let alone he gets possession av the thousand acre hardwoods, I'm thinkin'," he said, fastening his eyes on Billy's face. "I'd be wishin' the young t'acher to be ginerous, byes.",

Captain Weaver was carrying out the instructions he had received at Old Harbour Town. He was chasing the Minorca. The recovery of Lucy had led to no change in those instructions. Though Captain Acton in his gratitude for the restoration of his child was willing to relinquish the pursuit and to leave the Minorca and the handsome piratical scoundrel who had sailed away with her and Lucy to their fate, he had not revealed his thoughts to Captain Weaver, nor to the Admiral, and the Aurora at this hour of daybreak on a day in June 1805, was steadily stemming in chase of the barque which she was to capture, Captain Weaver did not exactly know how. For the Aurora was unarmed, whilst the Minorca mounted four pieces of artillery, and was in command of a naturally desperate fighting and fearless spirit, one whose neck would certainly be broken by the hangman if he was taken: unless indeed his crew turned upon him, and backed their yards and stopped the ship, that her owner might come by his own, despite Mr Lawrence's levelled[Pg 390] pistol or any threats he might make use of in reference to the powder magazine. "But," Captain Weaver had thought to himself on several occasions, "time enough to know what's a-going to happen when we heave the Minorca into view or draw abreast of her, for who's to tell but that we are bound to miss her, in which case we shall receive her at Rio, providing her skipper hasn't got scent of us and shifted his hellum for another port, and then there can be no blazing away of carronades on one side and a trimming of sail to keep clear of shot on the other.",

Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles.,

"Mercies on us!" cried the amazed deacon, clutching the fence for support. "Whose voice was that? You heard it, men. Whose was it?"

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So you'd better be up and away!,

"I thank you, Miss," said he, with an incredulous smile. "Was you going on board?",

"Walter Watland.",

Mr Lawrence started suddenly, stood up, looked round him, and viewed steadfastly for a space Lucy's cabin door. Then muttering to himself, "To-morrow—to-morrow!" he made his way towards the deck.