“I see your argument,” she said. “The more I love you, the deeper will be the fountain. So that the more Love I want to come to me, the more I must love you.” “Yes,” he answered musingly. “It’s your baby face that does the trick. In the ordinary way I should have known you were pulling my leg, and have shown you the door. As it was, I felt half inclined for the moment to reply with some damned silly platitude that would have set all Fleet Street laughing at me. Why do my ‘principles’ interest you?”!

“When shall I know that you are old and decrepit?” he asked. Joan seated herself on one of the chairs ranged round the walls, and drew the girl down beside her. Through the closed door, the mingled voices of the Foreign Secretary’s guests sounded curiously like the buzzing of flies.

“I want you to get used to it,” she said. “It’s part of your work. Put your brain into it, and don’t be afraid.” “I couldn’t face it,” he went on; “the way people would be looking at me in trains and omnibuses; the things people would say of me, the things I should imagine they were saying; what my valet would be thinking of me. Oh, I’m ashamed enough of myself. It’s the artistic temperament, I suppose. We must always be admired, praised. We’re not the stuff that martyrs are made of. We must for ever be kow-towing to the cackling geese around us. We’re so terrified lest they should hiss us.” “They talk about the editor’s opinions,” struck in a fiery little woman who was busy flinging crumbs out of the window to a crowd of noisy sparrows. “It’s the Advertiser edits half the papers. Write anything that three of them object to, and your proprietor tells you to change your convictions or go. Most of us change.” She jerked down the window with a slam.