Paul, who had become quite settled, brought his bride to visit his mother. And suddenly, out there where a big smoker lifts skyward, rising like a sea-god from out of the welter of spume and churning white, on the giddy, toppling, overhanging and downfalling, precarious crest appears the dark head of a man. Swiftly he rises through the rushing white. His black shoulders, his chest, his loins, his limbs—all is abruptly projected on one’s vision. Where but the moment before was only the wide desolation and invincible roar, is now a man, erect, full-statured, not struggling frantically in that wild movement, not buried and crushed and buffeted by those mighty monsters, but standing above them all, calm and superb, poised on the giddy summit, his feet buried in the churning foam, the salt smoke rising to his knees, and all the rest of him in the free air and flashing sunlight, and he is flying through the air, flying forward, flying fast as the surge on which he stands. He is a Mercury—a brown Mercury. His heels are winged, and in them is the swiftness of the sea. In truth, from out of the sea he has leaped upon the back of the sea, and he is riding the sea that roars and bellows and cannot shake him from its back. But no frantic outreaching and balancing is his. He is impassive, motionless as a statue carved suddenly by some miracle out of the sea’s depth from which he rose. And straight on toward shore he flies on his winged heels and the white crest of the breaker. There is a wild burst of foam, a long tumultuous rushing sound as the breaker falls futile and spent on the beach at your feet; and there, at your feet steps calmly ashore a Kanaka, burnt, golden and brown by the tropic sun. Several minutes ago he was a speck a quarter of a mile away. He has “bitted the bull-mouthed breaker” and ridden it in, and the pride in the feat shows in the carriage of his magnificent body as he glances for a moment carelessly at you who sit in the shade of the shore. He is a Kanaka—and more, he is a man, a member of the kingly species that has mastered matter and the brutes and lorded it over creation.!

The body was taken to Pont-l’Eveque, according to Madame Aubain’s wishes; she followed the hearse in a closed carriage. On the platform Tehei and Bihaura danced, accompanied by songs and choruses or by rhythmic hand-clappings. At other times a musical knocking of the paddles against the sides of the canoes marked the accent. A young girl dropped her paddle, leaped to the platform, and danced a hula, in the midst of which, still dancing, she swayed and bent, and imprinted on our cheeks the kiss of welcome. Some of the songs, or himines, were religious, and they were especially beautiful, the deep basses of the men mingling with the altos and thin sopranos of the women and forming a combination of sound that irresistibly reminded one of an organ. In fact, “kanaka organ” is the scoffer’s description of the himine. On the other hand, some of the chants or ballads were very barbaric, having come down from pre-Christian times.

The ringing of bells woke her; the people were coming out of church. Felicite’s delirium subsided. By thinking of the procession, she was able to see it as if she had taken part in it. All the school-children, the singers and the firemen walked on the sidewalks, while in the middle of the street came first the custodian of the church with his halberd, then the beadle with a large cross, the teacher in charge of the boys and a sister escorting the little girls; three of the smallest ones, with curly heads, threw rose leaves into the air; the deacon with outstretched arms conducted the music; and two incense-bearers turned with each step they took toward the Holy Sacrament, which was carried by M. le Cure, attired in his handsome chasuble and walking under a canopy of red velvet supported by four men. A crowd of people followed, jammed between the walls of the houses hung with white sheets; at last the procession arrived at the foot of the hill. Before we were aware, we were close in to Tahaa (pronounced Tah-hah-ah, with equal accents), and Tehei was grinning approval of the vahine’s proficiency at bailing. The canoe grounded on a shallow shore, twenty feet from land, and we waded out on a soft bottom where big slugs curled and writhed under our feet and where small octopuses advertised their existence by their superlative softness when stepped upon. Close to the beach, amid cocoanut palms and banana trees, erected on stilts, built of bamboo, with a grass-thatched roof, was Tehei’s house. And out of the house came Tehei’s vahine, a slender mite of a woman, kindly eyed and Mongolian of feature—when she was not North American Indian. “Bihaura,” Tehei called her, but he did not pronounce it according to English notions of spelling. Spelled “Bihaura,” it sounded like Bee-ah-oo-rah, with every syllable sharply emphasized. He sang it all evening, ringing the changes on it with an endless variety of stunts. “A fool! a fool! I met a fool in the forest!” thought I, and a worthy fool he proved. Between handsprings and whirligigs he delivered his message that would save the world. It was twofold. First, let suffering humanity strip off its clothing and run wild in the mountains and valleys; and, second, let the very miserable world adopt phonetic spelling. I caught a glimpse of the great social problems being settled by the city populations swarming naked over the landscape, to the popping of shot-guns, the barking of ranch-dogs, and countless assaults with pitchforks wielded by irate farmers.