It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her. “I am only at the end of a journey when you need me,” he had answered, and they had kissed. And next morning she returned to her own life.!

“There’s a chemist’s shop in the next street. We’d better take him there,” suggested the one who had first spoken to her. And she thanked them and followed them. Those drawing-rooms? Might not something of the sort be possible? Not, perhaps, the sumptuous salon of her imagination, thronged with the fair and famous, suitably attired. Something, perhaps, more homely, more immediately attainable. Some of the women dressed, perhaps, a little dowdily; not all of them young and beautiful. The men wise, perhaps, rather than persistently witty; a few of them prosy, maybe a trifle ponderous; but solid and influential. Mrs. Denton’s great empty house in Gower Street? A central situation and near to the tube. Lords and ladies had once ruffled there; trod a measure on its spacious floors; filled its echoing stone hall with their greetings and their partings. The gaping sconces, where their link-boys had extinguished their torches, still capped its grim iron railings.

“His sufferings!” he interrupted. “Does suffering entitle a man to be regarded as divine? If so, so also am I a God. Look at me!” He stretched out his long, thin arms with their claw-like hands, thrusting forward his great savage head that the bony, wizened throat seemed hardly strong enough to bear. “Wealth, honour, happiness: I had them once. I had wife, children and a home. Now I creep an outcast, keeping to the shadows, and the children in the street throw stones at me. Thirty years I have starved that I might preach. They shut me in their prisons, they hound me into garrets. They jibe at me and mock me, but they cannot silence me. What of my life? Am I divine?” They still discussed their various plans for the amelioration and improvement of humanity; but there seemed less need for haste than they had thought. The world, Joan discovered, was not so sad a place as she had judged it. There were chubby, rogue-eyed children; whistling lads and smiling maidens; kindly men with ruddy faces; happy mothers crooning over gurgling babies. There was no call to be fretful and vehement. They would work together in patience and in confidence. God’s sun was everywhere. It needed only that dark places should be opened up and it would enter. “It’s a noble ideal,” he said. “La Patrie! The great Mother. Right or wrong, who shall dare to harm her? Yes, if it was she who rose up in her majesty and called to us.” He laughed. “What does it mean in reality: Germania, Italia, La France, Britannia? Half a score of pompous old muddlers with their fat wives egging them on: sons of the fools before them; talkers who have wormed themselves into power by making frothy speeches and fine promises. My Country!” he laughed again. “Look at them. Can’t you see their swelling paunches and their flabby faces? Half a score of ambitious politicians, gouty old financiers, bald-headed old toffs, with their waxed moustaches and false teeth. That’s what we mean when we talk about ‘My Country’: a pack of selfish, soulless, muddle-headed old men. And whether they’re right or whether they’re wrong, our duty is to fight at their bidding—to bleed for them, to die for them, that they may grow more sleek and prosperous.” He sank back on his pillow with another laugh.