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Taking up the hapless heather, she throws it on the ground, and, in a fit of childish spleen, lays her foot upon it and tramples it out of all recognition. Yet, even as she does so, the tears gather in her eyes, and, resting there unshed, transfigure her into a lovely picture that might well be termed "Beauty in Distress." For this faded flower she grieves, as though it were, indeed, a living thing that she has lost. "There is no moat, and no drawbridge, and no eyelet-hole through which to spy upon the advance of the enemy," says Darling, in an impressive whisper, just as they turn the curve that leads into the big gravel sweep before the hall door. "A drawback, I own; but even the very greatest are not infallible." "I wish you would not talk of being buried," says Mona, with a sob. "There is no comfort in the tomb: there our dust may mingle, but in heaven our souls shall meet, I trust,—I hope.".
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"Yes, I could not sleep. Watching and waiting destroy all chance of slumber." "You are wilfully blind," she says, flushing hotly, and smoothing with nervous fingers an imaginary wrinkle from her gown. "Of course I explained matters as well as I could to Mitchell, but it was very awkward, and very unpleasant, and servants are never deceived." "Good-by," says Mona, softly, giving him her hand. He keeps it fast in both his own. Just at this moment it dawns upon her for the first time that this man loves her with a love surpassing that of most. The knowledge does not raise within her breast—as of course it should do—feelings of virtuous indignation: indeed, I regret to say that my heroine feels nothing but a deep and earnest pity, that betrays itself in her expressive face. When you do dance, I wish you.
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