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"It is, in fact, the real and original 'old, old story," says Geoffrey, innocently, smiling mildly at the leg of a distant table. It is midday, and Geoffrey, gun in hand, is idly stalking through the sloping wood that rises behind Mangle Farm. The shooting he has had since his arrival in Ireland, though desultory,—perhaps because of it,—has proved delightful in his sight. Here coveys come upon one unawares, rising out of fields when least expected, and therefore when discovered possess all the novelty of a gigantic surprise. Now and then he receives kindly warning of birds seen "over night" in some particular corner, and an offer to escort him to the scene of action without beat of drum. "Then just turn your back for one moment," says Mona simply, "and when my shoes and stockings are on I'll go home with you an' bathe it. Now, don't turn round, for your life!".

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"There is a camp to the westward, up the river," they replied; "but you must not take the left-hand trail going up because on that trail lives a woman who invites men to wrestle with her and then kills them. Avoid her." "You would turn a farce into a tragedy," he says, mockingly, "Why should I bribe a servant to let me see an old room by midnight?" Here the old woman at the fire, who has been getting up and down from her three-legged stool during the past few minutes, and sniffing at the pot in an anxious manner, gives way to a loud sigh of relief. Lifting the pot from its crook, she lays it on the earthen floor. Quite near to the poor corpse, a woman sits, young, apparently, and with a handsome figure, though now it is bent and bowed with grief. She is dressed in the ordinary garb of the Irish peasant, with a short gown well tucked up, naked feet, and the sleeves of her dress pushed upwards until they almost reach the shoulder, showing the shapely arm and the small hand that, as a rule, belong to the daughters of Erin and betray the existence of the Spanish blood that in days gone by mingled with theirs..