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"Yes, I hear you. But must you say this? Have I ever sought a quarrel with—Geoffrey's mother?" After a time she spoke and said, "It is true I have refused all those rich young men; yet now a poor one asks me, and I am glad. I will be your wife, and my people will be glad. You are poor, but that does not matter. My father will give you dogs; my mother will make us a lodge; my relations will give us robes and furs; you will no longer be poor." Still evening on, and twilight gray.

"What a serious accusation! and one I think slightly unfounded. We don't despise this beautiful island or its people. We even admit that you possess a charm to which we can lay no claim. The wit, the verve, the pure gayety that springs direct from the heart that belongs to you, we lack. We are a terrible prosy, heavy lot capable of only one idea at a time. How can you say we despise you?"I tried logging in using my phone number and I was supposed to get a verification code text,but didn't get it. I clicked resend a couple time, tried the "call me instead" option twice but didn't get a call either. the trouble shooting had no info on if the call me instead fails.There was "A year! An eternity!"

"Mona, do be friends with me," he says at last, desperately, driven to simplicity of language through his very misery. There is a humility in this speech that pleases her. About a week after her arrival—she having expressed her admiration of ferns the night before—he draws her hand through his arm and takes her to his own special sanctum,—off which a fernery has been thrown, he being an enthusiastic grower of that lovely weed. As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure. "My dearest child, do not take things so dreadfully to heart," he says, entreatingly and soothingly: "it is all a mistake; and my mother will, I know, be the first to acknowledge herself in error.".