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An old crone is sitting over a turf fire that glows and burns dimly in its subdued fashion. Hanging over it is a three-legged pot, in which boil the "praties" for the "boys'" dinners, who will be coming home presently from their work. Geoffrey, springing down from the dog-cart that has been sent to the station to meet him, brushes the frost from his hair, and stamps his feet upon the stone steps. "Because I have work to do here," retorts he, grimly. "Yet ever since I first set foot on this soil, contentment has gone from me. Abroad a man lives, here he exists. There, he carries his life in his hand, and trusts to his revolver rather than to the most learned of counsels, but here all is on another footing.".

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There is a pause. Mona says nothing, but taking out the flower that has lain upon her bosom all night, pulls it to pieces petal by petal. And this is unlike Mona, because flowers are dear to her as sunshine is to them. "Oh, yes, you may go," says Mona. Geoffrey says nothing. He is looking at her with curiosity, in which deep love is mingled. She is so utterly unlike all other women he has ever met, with their petty affectations and mock modesties, their would-be hesitations and their final yieldings. She has no idea she is doing anything that all the world of women might not do, and can see no reason why she should distrust her friend just because he is a man. "It was more than a 'surprise.' That is a mild word," says Lady Rodney. She is looking at him, is telling herself what a goodly son he is, so tall and strong and bright and handsome. He might have married almost any one! And now—now——? No, she cannot forgive. "It was, and must always be, a lasting grief," she goes on, in a low tone. "Is but a vain and doubtful good,.