On the first floor was Madame’s bed-chamber, a large room papered in a flowered design and containing the portrait of Monsieur dressed in the costume of a dandy. It communicated with a smaller room, in which there were two little cribs, without any mattresses. Next, came the parlour (always closed), filled with furniture covered with sheets. Then a hall, which led to the study, where books and papers were piled on the shelves of a book-case that enclosed three quarters of the big black desk. Two panels were entirely hidden under pen-and-ink sketches, Gouache landscapes and Audran engravings, relics of better times and vanished luxury. On the second floor, a garret-window lighted Felicite’s room, which looked out upon the meadows. “You’d better bring your revolvers along, and a couple of rifles,” said Captain Jansen. “I’ve got five rifles aboard, though the one Mauser is without ammunition. Have you a few rounds to spare?”!

Just potter around in quest of the best steering gear, or try to decide whether you will set up your rigging with old-fashioned lanyards or with turnbuckles, if you want strain of detail. Shall the binnacle be located in front of the wheel in the centre of the beam, or shall it be located to one side in front of the wheel?—there’s room right there for a library of sea-dog controversy. Then there’s the problem of gasolene, fifteen hundred gallons of it—what are the safest ways to tank it and pipe it? and which is the best fire-extinguisher for a gasolene fire? Then there is the pretty problem of the life-boat and the stowage of the same. And when that is finished, come the cook and cabin-boy to confront one with nightmare possibilities. It is a small boat, and we’ll be packed close together. The servant-girl problem of landsmen pales to insignificance. We did select one cabin-boy, and by that much were our troubles eased. And then the cabin-boy fell in love and resigned. Alone, there in the brush, he worked out his problem and began to apply it. He stripped off his clothing and leaped and gambolled about, running on all fours, climbing trees; in short, doing physical stunts,—and all the time soaking in the sunshine. He imitated the animals. He built a nest of dry leaves and grasses in which to sleep at night, covering it over with bark as a protection against the early fall rains. “Here is a beautiful exercise,” he told me, once, flapping his arms mightily against his sides; “I learned it from watching the roosters crow.” Another time I remarked the loud, sucking intake with which he drank cocoanut-milk. He explained that he had noticed the cows drinking that way and concluded there must be something in it. He tried it and found it good, and thereafter he drank only in that fashion.

“When shall we start?” This is the way it is done. The canoes form in line, one hundred to two hundred feet apart. In the bow of each canoe a man wields a stone, several pounds in weight, which is attached to a short rope. He merely smites the water with the stone, pulls up the stone, and smites again. He goes on smiting. In the stern of each canoe another man paddles, driving the canoe ahead and at the same time keeping it in the formation. The line of canoes advances to meet a second line a mile or two away, the ends of the lines hurrying together to form a circle, the far edge of which is the shore. The circle begins to contract upon the shore, where the women, standing in a long row out into the sea, form a fence of legs, which serves to break any rushes of the frantic fish. At the right moment when the circle is sufficiently small, a canoe dashes out from shore, dropping overboard a long screen of cocoanut leaves and encircling the circle, thus reinforcing the palisade of legs. Of course, the fishing is always done inside the reef in the lagoon. And now to the particular physics of surf-riding. Get out on a flat board, six feet long, two feet wide, and roughly oval in shape. Lie down upon it like a small boy on a coaster and paddle with your hands out to deep water, where the waves begin to crest. Lie out there quietly on the board. Sea after sea breaks before, behind, and under and over you, and rushes in to shore, leaving you behind. When a wave crests, it gets steeper. Imagine yourself, on your hoard, on the face of that steep slope. If it stood still, you would slide down just as a boy slides down a hill on his coaster. “But,” you object, “the wave doesn’t stand still.” Very true, but the water composing the wave stands still, and there you have the secret. If ever you start sliding down the face of that wave, you’ll keep on sliding and you’ll never reach the bottom. Please don’t laugh. The face of that wave may be only six feet, yet you can slide down it a quarter of a mile, or half a mile, and not reach the bottom. For, see, since a wave is only a communicated agitation or impetus, and since the water that composes a wave is changing every instant, new water is rising into the wave as fast as the wave travels. You slide down this new water, and yet remain in your old position on the wave, sliding down the still newer water that is rising and forming the wave. You slide precisely as fast as the wave travels. If it travels fifteen miles an hour, you slide fifteen miles an hour. Between you and shore stretches a quarter of mile of water. As the wave travels, this water obligingly heaps itself into the wave, gravity does the rest, and down you go, sliding the whole length of it. If you still cherish the notion, while sliding, that the water is moving with you, thrust your arms into it and attempt to paddle; you will find that you have to be remarkably quick to get a stroke, for that water is dropping astern just as fast as you are rushing ahead.