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May Nell had been “through the measles,” yet she shared the quarantine. Billy resented this at first. It was “no fair.” Afterward he was grateful; for aside from the cheer of her presence she did him a fine service. It was her clever brain that proposed to read his lessons aloud to him; and though he didn’t think much of it at first, he soon saw that this would make a chance for the prize which in his heart he had resigned. He indicated a fair-haired child, a baby in size, though her face gave hint of more years than her slender body. She wore woman’s shoes, and one was torn; a draggled skirt pinned up in front and trailing behind; and a folded sheet drawn around her shoulders. Yet no incongruity of dress could disguise the refined beauty of her face, or of her uncovered hair. “This is a xylophone, take this little wooden hammer and play a few notes.” Moses took the hammer held out to him and striking a wooden bar brought out a weird but sweet sound. He struck several bars in succession and was enraptured to find that they produced a sort of veiled silvery music. “Sounds like the moon looks when you carnt see it fer clouds,” he mused, “Mar thinks I’d make a moosican, mebbe she’s right.”.
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Conrad
Next followed a buckboard gaily painted red. Mrs. Mifsud and her daughter Maria aged fourteen who had taken a “quarter” of music lessons and was now the organist of the church, were occupants. Between them was wedged the pet of the family St. Elmo Mifsud a child of four. St. Elmo wore long chestnut curls and an angelic expression. Clarence Egerton Crump, Mrs. Mifsud’s nephew who was visiting his aunt and cousins, accompanied the family on his wheel. “Now hold his head between your hands and tell him not to touch me.” “But it’s a secret,” she whispered in smothered distress. “Please to go!” “Any one else?”.
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