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"But I hope you will not be disappointed when you see it," she says, gently. "You have the real Killarney fern, Sir Nicholas, I can see; the other, I speak of, though to me almost as lovely, is not a bit like it." "What is it, Jenkins? Speak!" says Lady Rodney, rising from her chair, and staying him, as he would leave the room, by an imperious gesture. "Come home," says Mona, faintly. Now the actual danger is past, terror creeps over her, rendering her a prey to imaginary sights and sounds. "There may be others. Do not delay.".
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Conrad
But there is yet another introduction to be gone through. From the doorway Violet Mansergh comes up to Geoffrey clad in some soft pale shimmering stuff, and holds out to him her hand. "Thomas has plainly taken to hieroglyphics,—if it be Thomas," he says. "I can fancy his pressing his young woman's right hand, but her 'top corner' baffles me. If I were Thomas, I shouldn't hanker after a girl with a 'top corner;' but there is no accounting for tastes. It really is curious, though, isn't it?" As he speaks he looks at Mona; but Mona, though seemingly returning his gaze, is for the first time in her life absolutely unmindful of his presence. "He was a man who never took off his hat," begins Geoffrey. "And now a last word, Mona. When you come down to dinner to-night (and take care you are a little late), be gay, merry, wild with spirits, anything but depressed, whatever it may cost you. And if in the drawing-room, later on, Lady Rodney should chance to drop her handkerchief, or that eternal knitting, do not stoop to pick it up. If her spectacles are on a distant table, forget to see them. A nature such as hers could not understand a nature such as yours. The more anxious you may seem to please, the more determined she will be not to be pleased.".
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