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The drawing-room is very much the same as the ordinary run of drawing-rooms, at which Mona feels distinct disappointment, until, glancing at Lady Lilias, she notices a shudder of disgust run through her frame. "Oh! it isn't here! He has stolen it!" cries she, as one who can admit of no comfort. "And I felt so sure I should find it myself. That was what he was doing when I came into the room. Ah, Geoffrey, sure you didn't malign him when you called him a thief." He lowers the weapon at her command, but says nothing. Indeed, what is there to say?.

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The moments come and go. The fire is dying out. No sound but that of the falling cinders comes to disturb the stillness that reigns within the library. Mona is vaguely, wondering what the end of it all will be. And then at last the silence is broken. A noise upon the gravel outside, a quick rush up the balcony steps; some one emerges from the gloom of the night, and comes into the room through the open window. Mona utters a passionate cry of relief and joy. It is Geoffrey! And silence swells into a dreamy sound, "Well, he was different," says Mona, giving in ignominiously. "I couldn't care for him either; but what I said is true all the same. Other people would not like me." Thus adjured,—though in truth he requires little pressing, having been devoured with a desire since early dawn to reveal the hidden knowledge that is in his bosom,—Geoffrey relates to them the adventure of the night before. Indeed, he gives such a brilliant coloring to the tale that every one is stricken dumb with astonishment, Mona herself perhaps being the most astonished of all. However, like a good wife, she makes no comments, and contradicts his statements not at all, so that (emboldened by her evident determination not to interfere with anything he may choose to say) he gives them such a story as absolutely brings down the house,—metaphorically speaking..