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Nell’s answer was somehow strangely muffled.,

As the door into the dining-room opened to the little guests, St. Elmo Mifsud’s eyes almost darted out of his head, for there on the centre of a bountifully-spread table stood an enormous chocolate cake with eleven candles burning on it. The revelation supplied a fitting climax for the epochal event of a thrilling picture show.,

Mrs. Wopp was much too energetically engaged to enter into fuller argument. She busied herself preparing the tubs for rinsing, singing in a high tremolo, “Shall we gather at the river?”,

“As the door creaketh on his hinges, so the slugger turneth on his bed.” Liza Wopp’s voice was compelling in its significance. Through the rose-lit dreams of Moses, the sound and the awful words were like the threatenings of an approaching storm.

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It quickly occurred to him to run around and climb up there by the coop. Perhaps he could see into the windows—perhaps see— He didn’t wait to finish his thought, but scrambled frantically up the steep and came around to the top of the wall. The window opposite and level with him was bare but not as dirty as the others; and against it he saw a bed-post. Anyway that room was used by some one besides ghosts, he thought; and wondered what to do next. Just then Bouncer sprang up and gave a single short bark, his bark of greeting.,

He sat by the table in his dressing-room with angry storm-swept countenance. He had been capturing loud plaudits with his rag-time, until intoxicated with success, he swept into a tornado of music by Moskowski. The applause died away; two ladies in the front row began chatting. The enraged artist jumped from the piano-stool, and shouting “Pigs!” raced from the platform.,

Mrs. Wopp obligingly gave as an encore, “There were ninety and nine,” apropos of nothing whatever. Then turning to a portrait on the wall, she enlarged on the musical ability of a great-uncle from whom she reckoned she had received her gift of song.,

Some of the voices were cracked and others badly out of tune. Moses Wopp’s voice, loudest of all, sounded like a foghorn and the windows fairly rattled in their frames. Nell motioned him to her desk. She thought by occupying his attention elsewhere the music lesson might proceed with more melody and less noise. Moses had developed his stentorian tones at home, by the lusty singing of Hallelujah hymns under the strict supervision of his mother.