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Geoffrey, although in reality deeply impressed by the grandeur of all the surroundings, yet cannot keep his eyes from Mona's face, her pretty attitude, her two mighty defenders. She reminds him in some wise of Una and the lion, though the idea is rather far-fetched; and he hardly dares speak to her, lest he shall break the spell that seems to lie upon her. Another pause. Mona is on thorns. Will the branching path, that may give her a chance of escaping a further tete-a-tete with him, never be reached? A sob escapes her, and falls heavily on Geoffrey's heart. He is not proof against a woman's tears,—as no true man ever is,—especially her tears, and so he gives in at once..

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"Place it on the table," says Mona, who, though rich in presence of mind, has yet all a woman's wholesome horror of anything that may go off. Of course everybody that is anybody has called on the new Mrs. Rodney. The Duchess of Lauderdale who is an old friend of Lady Rodney's, and who is spending the winter at her country house to please her son the young duke, who is entertaining a houseful of friends, is almost the first to come. And Lady Lillias Eaton, the serious and earnest-minded young æsthetic,—than whom nothing can be more coldly and artistically correct according to her own school,—is perhaps the second: but to both, unfortunately, Mona is "not at home." "Does he really?" asks Mona, with eyes wide open. "I am sure if I ever meet your brother Nick I shall be dreadfully afraid of him." "No; I have not forgotten you," says Mona, shrinking away from him. As she speaks she looks nervously at Nicholas..