“I wonder,” he said. “You could hardly be your mother’s daughter without it.” “We are not all alike,” she remarked. “Some of us are quite sane.”!

She reached home in the evening. The Phillips’s old rooms had been twice let since Christmas, but were now again empty. The McKean with his silent ways and his everlasting pipe had gone to America to superintend the production of one of his plays. The house gave her the feeling of being haunted. She had her dinner brought up to her and prepared for a long evening’s work; but found herself unable to think—except on the one subject that she wanted to put off thinking about. To her relief the last post brought her a letter from Arthur. He had been called to Lisbon to look after a contract, and would be away for a fortnight. Her father was not as well as he had been. * * * * *

Joan recounted the episode—so far as the doorstep. “It doesn’t seem to answer,” grumbled Madge. “One is always told it is the artist—the brain worker, the very men who have these fine instincts, who are the most sexual.” It was all so sweet and restful. Religion had never appealed to her before. The business-like service in the bare cold chapel where she had sat swinging her feet and yawning as a child had only repelled her. She could recall her father, aloof and awe-inspiring in his Sunday black, passing round the bag. Her mother, always veiled, sitting beside her, a thin, tall woman with passionate eyes and ever restless hands; the women mostly overdressed, and the sleek, prosperous men trying to look meek. At school and at Girton, chapel, which she had attended no oftener than she was obliged, had had about it the same atmosphere of chill compulsion. But here was poetry. She wondered if, after all, religion might not have its place in the world—in company with the other arts. It would be a pity for it to die out. There seemed nothing to take its place. All these lovely cathedrals, these dear little old churches, that for centuries had been the focus of men’s thoughts and aspirations. The harbour lights, illumining the troubled waters of their lives. What could be done with them? They could hardly be maintained out of the public funds as mere mementoes of the past. Besides, there were too many of them. The tax-payer would naturally grumble. As Town Halls, Assembly Rooms? The idea was unthinkable. It would be like a performance of Barnum’s Circus in the Coliseum at Rome. Yes, they would disappear. Though not, she was glad to think, in her time. In towns, the space would be required for other buildings. Here and there some gradually decaying specimen would be allowed to survive, taking its place with the feudal castles and walled cities of the Continent: the joy of the American tourist, the text-book of the antiquary. A pity! Yes, but then from the aesthetic point of view it was a pity that the groves of ancient Greece had ever been cut down and replanted with currant bushes, their altars scattered; that the stones of the temples of Isis should have come to be the shelter of the fisher of the Nile; and the corn wave in the wind above the buried shrines of Mexico. All these dead truths that from time to time had encumbered the living world. Each in its turn had had to be cleared away.