Invited by her companion, who had asked if it weren't wonderful, Mrs. Gereth had begun to say a word about Poynton; but she heard a sound of voices that made her stop short. The next moment she rose to her feet, and Fleda could see that her alarm was by no means quenched. Behind the place where they had been sitting the ground dropped with a certain steepness, forming a long grassy bank, up which Owen Gereth and Mona Brigstock, dressed for church but making a familiar joke of it, were in the act of scrambling and helping each other. When they had reached the even ground Fleda was able to read the meaning of the exclamation in which Mrs. Gereth had expressed her reserves on the subject of Miss Brigstock's personality. Miss Brigstock had been laughing and even romping, but the circumstance hadn't contributed the ghost of an expression to her countenance. Tall, straight and fair, long-limbed and strangely festooned, she stood there without a look in her eye or any perceptible intention of any sort in any other feature. She belonged to the type in which speech is an unaided emission of sound and the secret of being is impenetrably and incorruptibly kept. Her expression would probably have been beautiful if she had had one, but whatever she communicated she communicated, in a manner best known to herself, without signs. This was not the case with Owen Gereth, who had plenty of them, and all very simple and immediate. Robust and artless, eminently natural, yet perfectly correct, he looked pointlessly active and pleasantly dull. Like his mother and like Fleda Vetch, but not for the same reason, this young pair had come out to take a turn before church. "She's not, she's not: there's nothing in it! Doesn't a fellow know?—except with you!" Owen ruefully added. With this he came out of the room, lowering his voice to secret supplication, pleading with her really to meet him on the ground of the negation of Mona. It was this betrayal of his need of support and sanction that made her retreat—harden herself in the effort to save what might remain of all she had given, given probably for nothing. The very vision of him as he thus morally clung to her was the vision of a weakness somewhere in the core of his bloom, a blessed manly weakness of which, if she had only the valid right, it would be all a sweetness to take care. She faintly sickened, however, with the sense that there was as yet no valid right poor Owen could give. "You can take it from my honor, you know," he whispered, "that she loathes me."!

"She's simple and slow, but she's not a fool: I think she treated me, on the whole, very well." Fleda remembered how Mrs. Gereth had treated Mona when the Brigstocks came down to Poynton. "I mean literally everything. Go over them with the catalogue!"

That she desired to ask no questions Mrs. Gereth conscientiously proved by closing her lips tight after Fleda had gone to London. No letter from Ricks arrived at West Kensington, and Fleda, with nothing to communicate that could be to the taste of either party, forbore to open a correspondence. If her heart had been less heavy she might have been amused to perceive how much rope this reticence of Ricks seemed to signify to her that she could take. She had at all events no good news for her friend save in the sense that her silence was not bad news. She was not yet in a position to write that she had "cut in;" but neither, on the other hand, had she gathered material for announcing that Mona was undisseverable from her prey. She had made no use of the pen so glorified by Mrs. Gereth to wake up the echoes of Waterbath; she had sedulously abstained from inquiring what in any quarter, far or near, was said or suggested or supposed. She only spent a matutinal penny on "The Morning Post;" she only saw, on each occasion, that that inspired sheet had as little to say about the imminence as about the abandonment of certain nuptials. It was at the same time obvious that Mrs. Gereth triumphed on these occasions much more than she trembled, and that with a few such triumphs repeated she would cease to tremble at all. What was most manifest, however, was that she had had a rare preconception of the circumstances that would have ministered, had Fleda been disposed, to the girl's cutting in. It was brought home to Fleda that these circumstances would have particularly favored intervention; she was quickly forced to do them a secret justice. One of the effects of her intimacy with Mrs. Gereth was that she had quite lost all sense of intimacy with any one else. The lady of Ricks had made a desert around her, possessing and absorbing her so utterly that other partakers had fallen away. Hadn't she been admonished, months before, that people considered they had lost her and were reconciled on the whole to the privation? Her present position in the great unconscious town defined itself as obscure: she regarded it at any rate with eyes suspicious of that lesson. She neither wrote notes nor received them; she indulged in no reminders nor knocked at any doors; she wandered vaguely in the western wilderness or cultivated shy forms of that "household art" for which she had had a respect before tasting the bitter tree of knowledge. Her only plan was to be as quiet as a mouse, and when she failed in the attempt to lose herself in the flat suburb she felt like a lonely fly crawling over a dusty chart. "Horrible—horrible!" cried Mrs. Gereth, with a laugh, "and it's really a comfort to be able to say it." She had an idea, for it was her ambition, that she successfully made a secret of that awkward oddity, her proneness to be rendered unhappy by the presence of the dreadful. Her passion for the exquisite was the cause of this, but it was a passion she considered that she never advertised nor gloried in, contenting herself with letting it regulate her steps and show quietly in her life, remembering at all times that there are few things more soundless than a deep devotion. She was therefore struck with the acuteness of the little girl who had already put a finger on her hidden spring. What was dreadful now, what was horrible, was the intimate ugliness of Waterbath, and it was of that phenomenon these ladies talked while they sat in the shade and drew refreshment from the great tranquil sky, from which no blue saucers were suspended. It was an ugliness fundamental and systematic, the result of the abnormal nature of the Brigstocks, from whose composition the principle of taste had been extravagantly omitted. In the arrangement of their home some other principle, remarkably active, but uncanny and obscure, had operated instead, with consequences depressing to behold, consequences that took the form of a universal futility. The house was bad in all conscience, but it might have passed if they had only let it alone. This saving mercy was beyond them; they had smothered it with trumpery ornament and scrapbook art, with strange excrescences and bunchy draperies, with gimcracks that might have been keepsakes for maid-servants and nondescript conveniences that might have been prizes for the blind. They had gone wildly astray over carpets and curtains; they had an infallible instinct for disaster, and were so cruelly doom-ridden that it rendered them almost tragic. Their drawing-room, Mrs. Gereth lowered her voice to mention, caused her face to burn, and each of the new friends confided to the other that in her own apartment she had given way to tears. There was in the elder lady's a set of comic water-colors, a family joke by a family genius, and in the younger's a souvenir from some centennial or other Exhibition, that they shudderingly alluded to. The house was perversely full of souvenirs of places even more ugly than itself and of things it would have been a pious duty to forget. The worst horror was the acres of varnish, something advertised and smelly, with which everything was smeared; it was Fleda Vetch's conviction that the application of it, by their own hands and hilariously shoving each other, was the amusement of the Brigstocks on rainy days. "Leaving you quite to yourself?"