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Mona looks up startled. The faint rays of the new-born moon are indeed rushing through the casement, and are flinging themselves languidly upon the opposite wall, but they are pale and wan, as moonlight is in its infancy, and anything but brilliant. Besides, Rodney's eyes are turned not on them, but on the door that can be seen just over Mona's head, where no beams disport themselves, however weakly. "But what is to be done?" asks Nicholas, distractedly, though inexpressibly cheered by these professions of loyalty and devotion. "Your people won't hear of it." "Now carry him over the bridge and put him down there, and he must go home, whether he likes it or not," goes on Mona to her warrior, whereupon that renowned person, armed with the shrieking turkey, crosses the bridge. Having gained the other side, he places the angry bird on its mother earth, and with a final and almost tender "Shoo!" sends him scuttling along to the farmyard in the distance, where, no doubt, he is received either with open arms and kisses, or with a sounding "spank," as our American cousins would say, by his terrified mamma..
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But when to-morrow comes it brings to him a very different Mona from the one he saw yesterday. A pale girl, with great large sombrous eyes and compressed lips, meets him, and places her hand in his without a word. "I have heard too much already. I won't listen to any more. 'Lady Rodney!' I dare say"—with awful meaning in her tone—"you have got a title too!" Then, sternly, "Have you?" "I understand," says Lady Rodney, faintly, feeling her burden is "greater than she can bear." "She is, without telling, a young woman who laughs uproariously, at everything,—no matter what,—and takes good care her vulgarity shall be read by all who run." Those who wish to know something about how the people lived who told these stories will find their ways of life described in the last chapter of this book..
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