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Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles. "Well, the Yankee's discipline is taut, though not so taut as ours by the length of a log-line to a lead-line. You therefore understand the necessity of obeying orders?" For half an hour they groped their way forward, no further words passing between them. The heavy roar of the rain on the tree tops made conversation next to impossible. The darkness was so dense they were forced to proceed slowly and pause for breath after bumping violently against a tree or sapling. They had been striving for what seemed to both to be a long, long time to find the clearing when Billy paused in his tracks and spoke: "It's no use, Maurice. We're lost.".
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Conrad
As the load drew close to where Billy stood partly concealed by a clump of red willows, the driver halted his team for a rest after the pull through the heavy sand, and apparently not noticing the boy, spoke in guarded tones to his companion. "No," said Billy, "I got to be movin' on." It was on the 4th of June 1805 that a large, handsome three-masted schooner was softly, with a keen cut-water, rending a way for herself over a smooth breast of sea. The sound under the bows was that of a knife shearing through satin, and the note fell softly with a silken noise upon the ear, without tinkle of bell-bubble, or serpent-like hiss of expiring foam. Upon the stern of this schooner was painted in long white letters the word Aurora. He was already several paces away, anxious to overtake the wagon. Billy stood looking after him, a frown on his brow. "Gibson's Grove," he repeated. "So that's where Gibson's Grove is!" Then the message which the strangers had sent by old Harry might have had some significance, after all..
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