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"Yep; but by jinks! I had a awful time guessin' what you meant by them marks you made on the paper. Darn it all, Bill, why can't you write what you want'a say, instead of makin' marks that nobody kin understan'?" In a few minutes sail had been trimmed on both vessels, and when each had measured a distance that gave the other no more than a sight of her bulwarks upon the sea line, the helm was put amidships and the frigate and the schooner were steered along that course in which they hoped in a few days to overhaul the Minorca. One bright morning in April in that memorable year 1805, Captain Charles Acton, R.N. (retired), stood on his lawn in front of the house watching a gardener who was at work at a flower-bed. He was a slightly-built but tall, very gentleman-like man, one of the last in a crowd to be picked out as a seafarer. He was pale, his nose aquiline, lips thin, and the expression of the mouth firm. He was dressed in a frill shirt, loose cravat of white cambric, red-striped waistcoat, long green coat with a high collar and small cuffs, tight breeches to the ankle buttoned to the middle of the thigh, and top-boots; a rather low-crowned, broad-brimmed hat sat somewhat cocked on his head. His hair was long, without powder, and tied a little way down the back in a sort of tail..

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At the sound of his voice the old horse stood still. "Thomas," cried the rider sternly, "did I command you to halt?" "Hush," warned Billy. His heart was pounding. "And here comes a frigate to speak us," exclaimed Captain Acton, as one of the smaller vessels which had hoisted English colours came out from the crowd with yards braced for the shift of helm and, leaning under her silk-white towers of cloths, and rolling as she came, made directly for the Aurora. Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles..