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"I don't shoot quail any more," Billy answered. "I've got to know 'em too well, I guess. You see," in answer to the other boy's look of surprise, "when a feller gets to know what chummy, friendly little beggars they are, he don't feel like shootin' 'em.", "Nary a word but I asked him what he intended to do with the Scroggie hardwoods. He told me that he had sold it to a lumber company. He says there'll be a big camp of cutters and sawyers down here this winter. I said I supposed he'd be goin' back to the States jest as soon as he got things cleared up here, an' you ought to see the queer look he gave me., Next day was Sunday and Billy did not like Sundays. They meant the scrubbing of his face, ears and neck with "Old Brown Windsor" soap until it fairly cracked if he so much as smiled, and being lugged off with his parents and Anse to early forenoon Sunday School in the little frame church in the Valley. There was nothing interesting about Sunday School; it was the same old hum-drum over and over again—same lessons, same teachers, same hymns, same tunes; with Deacon Ringold's assertive voice cutting in above all the other voices both in lessons and singing and with Mrs. Scraff's shrill treble reciting, for her class's edification, her pet verse: "Am I nothing to thee, all ye who pass by?"—only Mrs. Scraff always improvised more or less on the scriptures, and usually threw the verse defiantly from her in this form: "You ain't nuthin to me, all you who pass me by.".