"Why should you bear malice to any one?" says Mona uneasily.,
He made all kinds of animals that travel on the ground. When he made the big-horn with its great horns, he put it out on the prairie. It did not seem to travel easily there; it was awkward and could not go fast, so he took it by one of its horns and led it up into the rough hills and among the rocks, and let it go there, and it skipped about among the cliffs and easily went up fearful places. So Old Man said to the big-horn, "This is the place for you; this is what you are fitted for; the rough country and the mountains." While he was in the mountains he made the antelope, and turned it loose to see how it travelled. The antelope ran so fast that it fell over some rocks and hurt itself. He saw that this would not do, and took the antelope down on the prairie and set it free there, and it ran away fast and gracefully, and he said to it, "This is the place that suits you.",
"I know," says Mona, brightening, and putting on an air so different from her own usual unaffected one as to strike her listener with awe. "I shall say, 'Oh! thanks, quite too awfully much, don't you know? but Geoffrey and I didn't find it a bit long, and we were as warm as wool all the time.'",
"Give me your hand again," says Rodney, after a pause; and when she gives it to him he says, "Do you know this is the nearest approach to real happiness I have ever known in all my careless, useless life? What is it Shakspeare says about the folly of loving 'a bright particular star'? I always think of you when that line comes to my mind. You are the star; mine is the folly."
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"Ah," said the young man, "then your travels are ended. You need go no farther. Close by here is our piskun. Many buffalo have been run in, and our parfleches are filled with dried meat. Wait a little; I will go and bring you some," and he went out.,
"Yes, miss. Oh, Miss Mona, if ye bethray me now 'twill be all up wid me. Fegs an' intirely, miss, they'll murdher me out uv hand.",
The "poor Maloney" has done it. She forgives him; perhaps because—sweet soul—harshness is always far from her.,
"You jest," says Mona, full of calm reproach. "I mean how strangely people fall into one's lives and then out again!" She hesitates. Perhaps something in his face warns her, perhaps it is the weariness of her own voice that frightens her, but at this moment her whole expression changes, and a laugh, forced but apparently full of gayety, comes from her lips. It is very well done indeed, yet to any one but a jealous lover her eyes would betray her. The usual softness is gone from them, and only a well-suppressed grief and a pride that cannot be suppressed take its place.
"No; not a petty squire," says Mona; "and I think you do know him. And why should I be ashamed to tell my name to any one?"
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Geoffrey does not hear her. Paul does. And as his own name, coming from her lips, falls upon his ear, a great change passes over his face. It is ashy pale; his lips are bloodless; his eyes are full of rage and undying hatred: but at her voice it softens, and something that is quite indescribable, but is perhaps pain and grief and tenderness and despair combined, comes into it. Her lips—the purest and sweetest under heaven—have deigned to address him as one not altogether outside the pale of friendship,—of common fellowship. In her own divine charity and tenderness she can see good in others who are not (as he acknowledges to himself with terrible remorse) worthy to touch the very hem of her white skirts.
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jg402-Wong,
It’s a Quan-Yuan
Mona, though still angered, is yet somewhat softened by this speech, as might any woman. Her color fades again, and heavy tears, rising rapidly, quench the fire that only a moment since made her large eyes dark and passionate.
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It was very late. The Seven Stars had come to the middle of the night, yet again they heard the feast shout from the far end of the camp. In this lodge the men were painted with streaks of red, and their hair was all pushed to one side. After the feast the chief said, "We are different from all others here. We are called the Braves (Mŭt´-sĭks). We know not fear; we are death. Even if our enemies are as many as the grass we do not turn away, but fight and conquer. Bows are good weapons, lances are better; but our weapon is the knife."
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Halin-Chen Response,
>"Give me your hand again," says Rodney, after a pause; and when she gives it to him he says, "Do you know this is the nearest approach to real happiness I have ever known in all my careless, useless life? What is it Shakspeare says about the folly of loving 'a bright particular star'? I always think of you when that line comes to my mind. You are the star; mine is the folly."
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