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“Salute your partner, swing—your partner.” Mrs. Wopp who had expected “Swing on the corner,” had seized the unfortunate Mr. Wopp and in spite of his struggles was spinning him violently around, while their respective partners stood and looked helplessly on.,
“Please,” answered the discomfited youth, “I aint never seen a ship of no kind.”,
“O, Mar, jist a teeny-weeny brown crust, it carn’t hurt me.”,
They tied the horses, and once hidden from the road, shed every superfluous garment. Billy was quite ashamed of the chill he could not help when he saw the handcuffs, pistols, and cartridges disposed neatly and conveniently about the Sheriff’s waist. They looked so vicious, “disrespectable.”
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“So they took up Joner an’ tossed him inter the sea.”,
The Wopp parlor was seldom entered, except on very special occasions or when Mrs. Wopp with formality and no undue haste dusted the furniture. The room had an air of solemnity and gloom, absent in the cheerful dining-room where the family usually sat. A homemade rag carpet covered the floor. Six slippery, horsehair chairs, one of them a rocker, and a horsehair couch, which did not invite confidence, were ranged stiffly around the sides of the room. In one corner was an ancient organ, wheezy and querulous with neglect, and in another stood a lofty what-not, on whose numerous shelves were deposited the family treasures. Here, was a woolly lamb at one time beloved of Moses; there his tin savings bank. Stiffly upright stood Betty’s wax doll Hannah, seldom played with and then only for a few minutes at a time. Mrs. Wopp was represented by a few shell boxes and a match box of china flanked by a sleek china cat.,
Bess arrived at last. A gorgeous affair was her chariot, the foundation being Mr. Prettyman’s spring wagon. Bess, with some borrowings, Charley’s help, and her own quick invention, had made a very good imitation of a circus wagon. Charley, the Strong Man, held the reins over old Dom Pedro, the horse she loved, that had once been a racer. She had discovered some very real looking, jointed snakes that wriggled and curved in a manner startlingly serpentine; while tremendous boa constrictors, cut from old circus posters, were disposed about the cage in alarmingly lifelike positions.,
As Betty stood in her garden whispering to Jethro, Nell Gordon came slowly down the path. For many weary weeks Howard Eliot had evaded her in every way. Was his jealousy so strong as to part them irrevocably? She remembered with remorse the flutterings of her heart when genius had knocked. She had learned since that greatness and domestic felicity are seldom associated even in the mind of the most ardent lover. Zalhambra was a human cyclone, he had simply carried her away for the moment with his magnetic personality. She had come through the experience with the conviction that ordinary everyday capabilities make for happiness, while genius is an abnormal condition bringing joy to the multitude, but disaster to the individual. All her femininity called out now for the support of a strong nature unhampered by genius.
The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores.
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“I think you’ve broke my neck, kid,” he said, feebly, as quaking Billy helped him to his feet.
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