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“I was on board the coal steamer—that’s where I was. His name is Hobborn, Mother, and just listen! he set a big jar of preserves before me—I think it was raspberries—and I ate a lot, and then he gave me this whistle. Now I’ll blow it.” An ear-splitting blast followed., She now held herself in readiness to depart at the moment in which Ferdinand and Hippolitus, for whose steps in the gallery she eagerly listened, should appear. The castle clock struck twelve. The sound seemed to shake the pile. Julia felt it thrill upon her heart. 'I hear you,' sighed she, 'for the last time.' The stillness of death succeeded. She continued to listen; but no sound met her ear. For a considerable time she sat in a state of anxious expectation not to be described. The clock chimed the successive quarters; and her fear rose to each additional sound. At length she heard it strike one. Hollow was that sound, and dreadful to her hopes; for neither Hippolitus nor Ferdinand appeared. She grew faint with fear and disappointment. Her mind, which for two hours had been kept upon the stretch of expectation, now resigned itself to despair. She gently opened the door of her closet, and looked upon the gallery; but all was lonely and silent. It appeared that Robert had refused to be accessary to their scheme; and it was probable that he had betrayed it to the marquis. Overwhelmed with bitter reflections, she threw herself upon the sopha in the first distraction of despair. Suddenly she thought she heard a noise in the gallery; and as she started from her posture to listen to the sound, the door of her closet was gently opened by Ferdinand. 'Come, my love,' said he, 'the keys are ours, and we have not a moment to lose; our delay has been unavoidable; but this is no time for explanation.' Julia, almost fainting, gave her hand to Ferdinand, and Hippolitus, after some short expression of his thankfulness, followed. They passed the door of madame's chamber; and treading the gallery with slow and silent steps, descended to the hall. This they crossed towards a door, after opening which, they were to find their way, through various passages, to a remote part of the castle, where a private door opened upon the walls. Ferdinand carried the several keys. They fastened the hall door after them, and proceeded through a narrow passage terminating in a stair-case., The story which the marquis formerly related to his son, concerning the southern buildings, it was now evident was fabricated for the purpose of concealing the imprisonment of the marchioness. In the choice of his subject, he certainly discovered some art; for the circumstance related was calculated, by impressing terror, to prevent farther enquiry into the recesses of these buildings. It served, also, to explain, by supernatural evidence, the cause of those sounds, and of that appearance which had been there observed, but which were, in reality, occasioned only by the marquis..