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“Gee! Did you hear it splash?” screamed Moses. “An orful good-natured tied-in-at-the-waist critter, aint it?” commented Moses. “Yeh, Mar says I’m a reglar jographer I like it so much.”.

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The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores. The heat and smoke increased alarmingly as they went on, the man puffing at the boy’s pace. In and out, occasionally doubling and returning but never losing altitude, Billy crashed on. His slender body slipped through underbrush by way of small apertures that would not admit the man’s greater bulk; he had to break his way. The boy, also accustomed to running, climbing, had the advantage of better breath; though the other could not, Billy still held his mouth shut against the suffocating smoke, kept his smarting eyes partly closed. The band struck up and, intoxicated with the rhythm of the music, Moses skated as he had never done before. At first an object of amusement to the city boys he became the centre of an admiring throng. His spirals and figure eight’s were such as to call forth envious remarks. Even Clarence Egerton Crump thawed and admitted to several school mates that Moses Wopp was a pretty solid pal, only a bit gawky in his get-up. “You don’t like Sir Thomas because he’s a little indolent.”.