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It was all terrible,—this young man coming and the thought that, no matter how they might try to disbelieve in his story, still it might be true. Stooping, he presses his lips to her hand for the first time. The caress is long and fervent. "How could you be so absurd about that old Moore?" she says, lightly. "Why he has got nothing to recommend him except his money; and what good," with a sigh, "does that do him, unless to get him murdered!".

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When the two had come to a hill near the camp they met a young man, and by him sent word that the people should make a sweat-house for them. After the sweat-house had been made, word was sent to them, and they entered the camp and went into the sweat-house and took a sweat, and all the time while they were sweating, sand was falling from their bodies. "Mona, do be friends with me," he says at last, desperately, driven to simplicity of language through his very misery. There is a humility in this speech that pleases her. A strange scene presents itself to their expectant gaze. Before them is a large room (if so it can be called), possessed of no flooring but the bare brown earth that Mother Nature has supplied. To their right is a huge fireplace, where, upon the hearthstone, turf lies burning dimly, emitting the strong aromatic perfume that belongs to it. Near it crouches an old woman with her blue-checked apron thrown above her head, who rocks herself to and fro in silent grief, and with every long-drawn breath—that seems to break from her breast like a stormy wave upon a desert shore—brings her old withered palms together with a gesture indicative of despair. For some time they talked together and the old man told Kŭt-o-yĭs´ how his son-in-law had abused him. He said to the young man, "He has taken from me my bow and my arrows and has taken even my dogs; and now for many days we have had nothing to eat, except sometimes a small piece of meat that our daughter throws to us.".