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They are all standing in a sort of anteroom, curtained off, but only partly concealed from the ballroom. Young Lady Chetwoode, who, as I have said, is a special pet with the duchess, is present, with Sir Guy and one or two others. "It was the last line," says Mona, in explanation, clearly ashamed of herself, yet unable wholly to subdue her merriment. "It reminded me so much of that speech about tea, that they always use at temperance meetings; they call it the beverage 'that cheers but not inebriates.' You said 'that warms but not illumines,' and it sounded exactly like it. Don't you see!" Mona starts, and regards him fixedly in a puzzled, uncertain manner. What he can possibly mean is unknown to her; but yet she is aware of some inward feeling, some instinct such as animals possess, that warns her to beware of him. She shrinks from him, and in doing so a slight fold of her dress catches in the handle of a writing-table, and detains her..
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She turns slowly, and finds her fellow-pedestrian is a young man clad in a suit of very impossible tweed: she blushes hotly, not because he is a young man, but because she has no hat on her head, having covered her somewhat riotous hair with a crimson silk handkerchief she had found in Geoffrey's room, just before starting. It covers her head completely, and is tied under the chin Connemara fashion, letting only a few little love-locks be seen, that roam across her forehead, in spite of all injunctions to the contrary. The drawing-room is very much the same as the ordinary run of drawing-rooms, at which Mona feels distinct disappointment, until, glancing at Lady Lilias, she notices a shudder of disgust run through her frame. And silence swells into a dreamy sound, "Yes. You may bring it to me—to-morrow," returns she, with the faintest hesitation, which but enhances the value of the permission, whereon his heart once more knows hope and content..
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