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The Prettymans’ white cow was ingeniously shaped and caparisoned to represent “India’s Sacred White Elephant”; and Jackson was the Hindoo leader. This exhibit caused much controversy. The attendant should ride on the neck of the elephant, all agreed to that; but the cow objected; so they compromised by having Jackson walk. The matter of costume for Jackson was not so easily settled, as the differing pictures of sacred elephants presented a variation in the attendants’ garb. May Nell,—who was to be the “Fair Princess of Bombay,”—as soon as she could get a hearing, ended the dispute amicably by suggesting that Jackson be allowed his choice in the matter of dress, an alternative that permitted each disputant to withdraw from the argument with honor., Perhaps the fact that Mannel came from a home where Russian was the language in use and that he knew little English, accounted for his abnormal seriousness during school hours. He could not be absolutely sure what was being said or what might be done to him. Perhaps some cruel elder brother, before Mannel had even started his education, had explained to him in voluble Russian that dreadful pains and penalties were likely to follow the slightest deviation from the paths of virtue. Certain it is that he kept a close watch on the teacher, and that none of her slightest movements escaped him. Though his general appearance might cause mirth in others, he himself seldom smiled. Day by day he sat in his little front seat grasping slate and pencil in chubby hands, gazing earnestly at the sums on the blackboard as he copied them down. Afterward he worked these with fitting solemnity. To him they appeared to be of the greatest difficulty and of national importance. Sometimes he wrote endless rows of letters on his slate. Sometimes he made nondescript figures out of plasticine or drew patterns on his slate or counted beads. At other times, grievous to relate, when he felt sure the teacher was otherwise engaged and could not possibly see him, he drew fierce triangular cats with four or perhaps five stiff, geometrical legs and rampant tails., Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them..