She got him some linen, tried to clean his hovel and dreamed of installing him in the bake-house without his being in Madame’s way. When the cancer broke, she dressed it every day; sometimes she brought him some cake and placed him in the sun on a bundle of hay; and the poor old creature, trembling and drooling, would thank her in his broken voice, and put out his hands whenever she left him. Finally he died; and she had a mass said for the repose of his soul. Some were rather vague in their own minds concerning the work to be done on the Snark; as, for instance, the one who wrote: “I am taking the liberty of writing you this note to find out if there would be any possibility of my going with you as one of the crew of your boat to make sketches and illustrations.” Several, unaware of the needful work on a small craft like the Snark, offered to serve, as one of them phrased it, “as assistant in filing materials collected for books and novels.” That’s what one gets for being prolific.!

Nevertheless we found ourselves once more in the high seat of abundance. The orator, by gestures unmistakable, in detail presented every item in the mountain to us, and next he presented it to us in toto. It was an embarrassing moment. What would you do if you lived in a hall bedroom and a friend gave you a white elephant? Our Snark was no more than a hall bedroom, and already she was loaded down with the abundance of Tahaa. This new supply was too much. We blushed, and stammered, and mauruuru’d. We mauruuru’d with repeated nui’s which conveyed the largeness and overwhelmingness of our thanks. At the same time, by signs, we committed the awful breach of etiquette of not accepting the present. The himine singers’ disappointment was plainly betrayed, and that evening, aided by Tehei, we compromised by accepting one chicken, one bunch of bananas, one bunch of taro, and so on down the list. I tried for a solid hour, and not one wave could I persuade to boost me shoreward. And then arrived a friend, Alexander Hume Ford, a globe trotter by profession, bent ever on the pursuit of sensation. And he had found it at Waikiki. Heading for Australia, he had stopped off for a week to find out if there were any thrills in surf-riding, and he had become wedded to it. He had been at it every day for a month and could not yet see any symptoms of the fascination lessening on him. He spoke with authority.

All the foregoing is by way of preamble to the statement that the horrors of Molokai, as they have been painted in the past, do not exist. The Settlement has been written up repeatedly by sensationalists, and usually by sensationalists who have never laid eyes on it. Of course, leprosy is leprosy, and it is a terrible thing; but so much that is lurid has been written about Molokai that neither the lepers, nor those who devote their lives to them, have received a fair deal. Here is a case in point. A newspaper writer, who, of course, had never been near the Settlement, vividly described Superintendent McVeigh, crouching in a grass hut and being besieged nightly by starving lepers on their knees, wailing for food. This hair-raising account was copied by the press all over the United States and was the cause of many indignant and protesting editorials. Well, I lived and slept for five days in Mr. McVeigh’s “grass hut” (which was a comfortable wooden cottage, by the way; and there isn’t a grass house in the whole Settlement), and I heard the lepers wailing for food—only the wailing was peculiarly harmonious and rhythmic, and it was accompanied by the music of stringed instruments, violins, guitars, ukuleles, and banjos. Also, the wailing was of various sorts. The leper brass band wailed, and two singing societies wailed, and lastly a quintet of excellent voices wailed. So much for a lie that should never have been printed. The wailing was the serenade which the glee clubs always give Mr. McVeigh when he returns from a trip to Honolulu. Now, gentle reader, what would you do if you were on a small boat, rolling in the trough of the sea, a trysail on that small boat’s stern that was unable to swing the bow up into the wind? Get out the sea-anchor. It’s just what we did. We had a patent one, made to order and warranted not to dive. Imagine a hoop of steel that serves to keep open the mouth of a large, conical, canvas bag, and you have a sea-anchor. Well, we made a line fast to the sea-anchor and to the bow of the Snark, and then dropped the sea-anchor overboard. It promptly dived. We had a tripping line on it, so we tripped the sea-anchor and hauled it in. We attached a big timber as a float, and dropped the sea-anchor over again. This time it floated. The line to the bow grew taut. The trysail on the mizzen tended to swing the bow into the wind, but, in spite of this tendency, the Snark calmly took that sea-anchor in her teeth, and went on ahead, dragging it after her, still in the trough of the sea. And there you are. We even took in the trysail, hoisted the full mizzen in its place, and hauled the full mizzen down flat, and the Snark wallowed in the trough and dragged the sea-anchor behind her. Don’t believe me. I don’t believe it myself. I am merely telling you what I saw. And suddenly, out there where a big smoker lifts skyward, rising like a sea-god from out of the welter of spume and churning white, on the giddy, toppling, overhanging and downfalling, precarious crest appears the dark head of a man. Swiftly he rises through the rushing white. His black shoulders, his chest, his loins, his limbs—all is abruptly projected on one’s vision. Where but the moment before was only the wide desolation and invincible roar, is now a man, erect, full-statured, not struggling frantically in that wild movement, not buried and crushed and buffeted by those mighty monsters, but standing above them all, calm and superb, poised on the giddy summit, his feet buried in the churning foam, the salt smoke rising to his knees, and all the rest of him in the free air and flashing sunlight, and he is flying through the air, flying forward, flying fast as the surge on which he stands. He is a Mercury—a brown Mercury. His heels are winged, and in them is the swiftness of the sea. In truth, from out of the sea he has leaped upon the back of the sea, and he is riding the sea that roars and bellows and cannot shake him from its back. But no frantic outreaching and balancing is his. He is impassive, motionless as a statue carved suddenly by some miracle out of the sea’s depth from which he rose. And straight on toward shore he flies on his winged heels and the white crest of the breaker. There is a wild burst of foam, a long tumultuous rushing sound as the breaker falls futile and spent on the beach at your feet; and there, at your feet steps calmly ashore a Kanaka, burnt, golden and brown by the tropic sun. Several minutes ago he was a speck a quarter of a mile away. He has “bitted the bull-mouthed breaker” and ridden it in, and the pride in the feat shows in the carriage of his magnificent body as he glances for a moment carelessly at you who sit in the shade of the shore. He is a Kanaka—and more, he is a man, a member of the kingly species that has mastered matter and the brutes and lorded it over creation.