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She followed Elinor into the larger room where a feeble daylight, filtering in through heavily grated basement windows, struggled with the flaring gas jets, and the odor of cocoa and bread and butter mingled with sachet and the fumes of turpentine and paint. "What, else?" demanded Judith, whose color had been rising at the alluring forecast. Patricia made a despairing little gesture. "I can't think of anything that will fit poor me," she confessed with mock dejection. "I'm so everlastingly commonplace that I don't sound at all." "You are cruel, cruel, John Moore, and I hate you worse than I ever did before, if that is possible. I'm hungry, hungry to death, and now you've spoiled it all! Go away before I wet this nice crisp bread and jam with tears, and turn it into a pulp I'll have to eat with a spoon. You don't know what it is to want something sweet so bad you are willing to steal it—from yourself!" I fairly blazed my eyes down into his, and moved as far away from him as the table would let me. "We're going to see the decoration—the one Elinor made for the church, you know," said Patricia to Miriam as they left the festive, disheveled sitting-room to the rejuvenating hands of Hannah Ann and Henry, and went with the chatting crowd into the big studio again. "Bruce wouldn't have the luncheon in here because we couldn't get a good view of it if the place was cluttered up with tables and things. He's fearfully proud of it. He says it's as good as lots of regular artists could do.".