"Oh, she's all right. Mother must come round." Fleda took her hand, and her clasp of it was a reiteration of a promise already given. She said nothing, but her silence was an acceptance as responsible as the vow of a nun. The next moment something occurred to her. "I mustn't put myself in your son's way."!

"Anything you don't know I dare say I can tell you!" Owen observed as he impatiently smoothed his hat with the cuff of his coat. "It's utterly beastly!"

"Give me some more tea," said Mrs. Gereth; and there was a moment's silence as Fleda poured out another cup. "If you were shocked, my dear, I'm bound to say you concealed your shock." "We're together, we're together," said Mrs. Gereth. She looked helpless as she sat there, her eyes, unseeingly enough, on a tall Dutch clock, old but rather poor, that Maggie had had as a wedding-gift and that eked out the bareness of the room. "You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!"