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"I shall not forget; I shall always remember," returns she, the tears running down her cheeks; and then, through divine pity, and perhaps because Geoffrey is here to see her, she stoops and lays her lips upon his forehead. The girl put the bone on the ground and covered it with her robe and began to sing. After she had sung she took the robe away, and there under it lay her father's body, as if he had just died. Once again she covered the body with the robe and sang, and this time when she took the robe away the body was breathing. A third time she covered the body with the robe and sang, and when she again took away the robe, the body moved its arms and legs a little. A fourth time she covered it and sang, and when she took away the robe her father stood up. The whole scene is at an end. A life has been saved. And they two, Mona and Geoffrey, are once more alone beneath the "earnest stars.".
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Conrad
It is the first time since their marriage that she and Geoffrey have been parted, and it seems to her a hard thing that such partings should be. A sense of desolation creeps over her,—a sense of loneliness she has never known before. But this, it may be, was all village slander, and was never borne out by anything. And Elspeth had married the gardener's son, and Sir Launcelot had married an earl's daughter; and when the first baby was born at the "big house," Elspeth came to the Towers and nursed him as she would have nursed her own little bairn, but that Death, "dear, beauteous Death, the jewel of the just, shining nowhere but in the dark," sought and claimed her own little one two days after its birth. "I will," says the girl, impulsively, with quick tears in her eyes. "Don't hate me, my dearest, unless you wish to kill me; for that would be the end of it." At this Mona laughs unrestrainedly; and Lady Rodney, rising hurriedly, says,—.
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