Conrad
The obscurity of the place prevented Hippolitus from distinguishing the features of the dying man. From the blood which covered him, and from the surrounding circumstances, he appeared to be murdered; and the count had no doubt that the men he beheld were the murderers. The horror of the scene entirely overcame him; he stood rooted to the spot, and saw the assassins rifle the pockets of the dying person, who, in a voice scarcely articulate, but which despair seemed to aid, supplicated for mercy. The ruffians answered him only with execrations, and continued their plunder. His groans and his sufferings served only to aggravate their cruelty. They were proceeding to take from him a miniature picture, which was fastened round his neck, and had been hitherto concealed in his bosom; when by a sudden effort he half raised himself from the ground, and attempted to save it from their hands. The effort availed him nothing; a blow from one of the villains laid the unfortunate man on the floor without motion. The horrid barbarity of the act seized the mind of Hippolitus so entirely, that, forgetful of his own situation, he groaned aloud, and started with an instantaneous design of avenging the deed. The noise he made alarmed the banditti, who looking whence it came, discovered the count through the casement. They instantly quitted their prize, and rushed towards the door of the room. He was now returned to a sense of his danger, and endeavoured to escape to the exterior part of the ruin; but terror bewildered his senses, and he mistook his way. Instead of regaining the arch-way, he perplexed himself with fruitless wanderings, and at length found himself only more deeply involved in the secret recesses of the pile. The spirit which lately animated Julia had vanished with her words—each moment of silence increased her apprehension; the deep brooding of his thoughts confirmed her in the apprehension of evil, and with all the artless eloquence of sorrow she endeavoured to soften him to pity. He listened to her pleadings in sullen stillness. But each instant now cooled the fervour of his resentment to her, and increased his desire of opposing the marquis. At length the predominant feature of his character resumed its original influence, and overcame the workings of subordinate passion. Proud of his religious authority, he determined never to yield the prerogative of the church to that of the father, and resolved to oppose the violence of the marquis with equal force. Eternal shades, and silence dwell. He descended into the same wild hall he had passed on the preceding night. He had scarcely reached the bottom of the stair-case, when a feeble light gleamed across the hall, and his eye caught the glimpse of a figure retiring through the low arched door which led to the south tower. He drew his sword and rushed on. A faint sound died away along the passage, the windings of which prevented his seeing the figure he pursued. Of this, indeed, he had obtained so slight a view, that he scarcely knew whether it bore the impression of a human form. The light quickly disappeared, and he heard the door that opened upon the tower suddenly close. He reached it, and forcing it open, sprang forward; but the place was dark and solitary, and there was no appearance of any person having passed along it. He looked up the tower, and the chasm which the stair-case exhibited, convinced him that no human being could have passed up. He stood silent and amazed; examining the place with an eye of strict enquiry, he perceived a door, which was partly concealed by hanging stairs, and which till now had escaped his notice. Hope invigorated curiosity, but his expectation was quickly disappointed, for this door also was fastened. He tried in vain to force it. He knocked, and a hollow sullen sound ran in echoes through the place, and died away at a distance. It was evident that beyond this door were chambers of considerable extent, but after long and various attempts to reach them, he was obliged to desist, and he quitted the tower as ignorant and more dissatisfied than he had entered it. He returned to the hall, which he now for the first time deliberately surveyed. It was a spacious and desolate apartment, whose lofty roof rose into arches supported by pillars of black marble. The same substance inlaid the floor, and formed the stair-case. The windows were high and gothic. An air of proud sublimity, united with singular wildness, characterized the place, at the extremity of which arose several gothic arches, whose dark shade veiled in obscurity the extent beyond. On the left hand appeared two doors, each of which was fastened, and on the right the grand entrance from the courts. Ferdinand determined to explore the dark recess which terminated his view, and as he traversed the hall, his imagination, affected by the surrounding scene, often multiplied the echoes of his footsteps into uncertain sounds of strange and fearful import..
298 people found this
review helpful