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“What’s the use of goin’ to a dance and settin’ sleepin’ like one of them spinxes, Ebenezer?” she expostulated as she roused him from his slumbers. The good lady herself had danced almost incessantly until her face had taken on the hue of a ripe pippin. “Well, the Prince will see that the glass slipper’s tied fast. He’s got no ‘Ho, minions!’ to hunt for you if you turn Cinderella again.” He stooped and fastened her tie. Mrs. Bennett spoke frequently of the change in Billy. He was growing more thoughtful, observant. He remembered small duties, noticed if mother or sister looked tired or ill, and volunteered help where formerly he would not have known help was needed. Perhaps none of them knew, least of all May Nell herself, how lastingly her example of watchful kindness had impressed itself on Billy’s heart..

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[42]Mrs. Bennett did not know, as her son did, that the retort touched a sore fact. Jimmy’s eyes darkened with the look that had earned for him the name of “Sour.” Yet in spite of this he had a fine, strong face. Before school was dismissed Mannel Rodd, after earnest solicitation on the part of an older sister, was induced to mount the platform, where he shyly and with every evidence of stage fright recited, Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers. Clank! Clank! Clank!.