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“True, so it is. I suppose you are very busy nowadays?” The King and the Prince advanced, bowing low, and said, "Sire, we have come from afar, to show you a portrait." They drew forth Rosette's portrait and showed it to him. After gazing at it a while, the King of the Peacocks said, "I can scarcely believe that there is so beautiful a maiden in the whole world." "She is a thousand times more beautiful," said the King. "You are jesting," replied the King of the Peacocks. "Sire," rejoined the Prince, "here is my brother, who is a King, like yourself; he is called King, and my name is Prince; our sister, of whom this is the portrait, is the Princess Rosette. We have come to ask if you will marry her; she is good and beautiful, and we will give her, as dower, a bushel of golden crowns." "It is well," said the King. "I will gladly marry her; she shall want for nothing, and I shall love her greatly; but I require that she shall be as beautiful as her portrait, and if she is in the smallest degree less so, I shall make you pay for it with your lives." "We consent willingly," said both Rosette's brothers. "You consent?" added the King. "You will go to prison then, and remain there until the Princess arrives." The Princes made no difficulty about this, for they knew well that Rosette was more beautiful than her portrait. They were well looked after while in prison, and were well served with all they required, and the King often went to see them. He kept Rosette's portrait in his room, and could scarcely rest day or night for looking at it. As the King and his brother could not go to her themselves, they wrote to Rosette, telling her to pack up as quickly as possible, and to start without delay, as the King of the Peacocks was awaiting her. They did not tell her that they were prisoners, for fear of causing her uneasiness. “And Tellef’s grandmother says that if the master of Kingthorpe were alive, she would ask him for money to go and have her eyes operated on. It costs frightfully, you see, Mother, and I have to be the master of Kingthorpe now; so I want to give Tellef’s grandmother the money. I must do it because Uncle Isaac would, and I am the Kingthorpe heir.”.

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“I understood, Bob, how you felt. That is, all but once or twice when—Oh, but what’s the use? Of course I forgive you!” When they had shaken hands warmly the conference had a chance to proceed. O’Day took up the narrative where he had left off. The marchioness assented to the truth of this, yet her broken spirits, the effect of long sorrow and confinement, made her hesitate how to act; and there was a kind of placid despair in her look, which too faithfully depicted her feelings. It was obvious to Julia that the cavern she had passed wound beneath the range of mountains on whose opposite side stood the castle of Mazzini. The hills thus rising formed a screen which must entirely conceal their emergence from the mouth of the cave, and their flight, from those in the castle. She represented these circumstances to her mother, and urged them so forcibly that the lethargy of despair yielded to hope, and the marchioness committed herself to the conduct of her daughter. The marquis turning to a door on his right hand, ordered it to be unlocked. It opened upon the country, and the servants knew it to be the same whence the figure had appeared. Having relocked it, 'Lift that trapdoor; we will desend into the vaults,' said the marquis. 'What trapdoor, my Lord?' said Robert, with encreased agitation; 'I see none.' The marquis pointed, and Robert, perceived a door, which lay almost concealed beneath the stones that had fallen from the stair-case above. He began to remove them, when the marquis suddenly turning—'I have already sufficiently indulged your folly,' said he, 'and am weary of this business. If you are capable of receiving conviction from truth, you must now be convinced that these buildings are not the haunt of a supernatural being; and if you are incapable, it would be entirely useless to proceed. You, Robert, may therefore spare yourself the trouble of removing the rubbish; we will quit this part of the fabric.' Drain we the cup—.