"I remembered how you had tied my hands about saying a word to Owen." "Wouldn't it perhaps after all be better," she asked, "before doing this, to see if we can make his whereabouts certain?"!

These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!" Fleda felt the full need of giving a reason for her departure; but at first she only said with cheerful frankness: "I departed."

These were neither more nor less than the things with which she had had time to learn from Mrs. Gereth that Poynton overflowed. Poynton, in the south of England, was this lady's established, or rather her disestablished home, having recently passed into the possession of her son. The father of the boy, an only child, had died two years before, and in London, with his mother, Owen was occupying for May and June a house good-naturedly lent them by Colonel Gereth, their uncle and brother-in-law. His mother had laid her hand so engagingly on Fleda Vetch that in a very few days the girl knew it was possible they should suffer together in Cadogan Place almost as much as they had suffered together at Waterbath. The kind colonel's house was also an ordeal, but the two women, for the ensuing month, had at least the relief of their confessions. The great drawback of Mrs. Gereth's situation was that, thanks to the rare perfection of Poynton, she was condemned to wince wherever she turned. She had lived for a quarter of a century in such warm closeness with the beautiful that, as she frankly admitted, life had become for her a kind of fool's paradise. She couldn't leave her own house without peril of exposure. She didn't say it in so many words, but Fleda could see she held that there was nothing in England really to compare to Poynton. There were places much grander and richer, but there was no such complete work of art, nothing that would appeal so to those who were really informed. In putting such elements into her hand fortune had given her an inestimable chance; she knew how rarely well things had gone with her and that she had tasted a happiness altogether rare. She had once more disengaged herself, with the private vow that he shouldn't yet touch her again. It was all too horribly soon—her sense of this was rapidly surging back. "We mustn't talk, we mustn't talk; we must wait!" she intensely insisted. "I don't know what you mean by your freedom; I don't see it, I don't feel it. Where is it yet, where, your freedom? If it's real there's plenty of time, and if it isn't there's more than enough. I hate myself," she protested, "for having anything to say about her: it's like waiting for dead men's shoes! What business is it of mine what she does? She has her own trouble and her own plan. It's too hideous to watch her and count on her!" "Only that she left me thinking she had got something."