“It is breakfast time,” he explained, as they emerged into the air. “We leave each other alone for half an hour—even the snipers. But we must be careful.” She followed in his footsteps, stooping so low that her hands could have touched the ground. They had to be sure that they did not step off the narrow track marked with white stones, lest they should be drowned in the mud. They passed the head of a dead horse. It looked as if it had been cut off and laid there; the body was below it in the mud. “I shouldn’t have recognized you,” laughed Joan. “What was the occasion?”!

Madge had asked Joan to come a little earlier so that they could have a chat together before the others arrived. “All roads lead to Calvary.” It was curious how the words had dwelt with her, till gradually they had become a part of her creed. She remembered how at first they had seemed to her a threat chilling her with fear. They had grown to be a promise, a hope held out to all. The road to Calvary! It was the road to life. By the giving up of self we gained God.

“It’s the syndicates that have done it,” was a Mrs. Elliot’s opinion. She wrote “Society Notes” for a Labour weekly. “When one man owned a paper he wanted it to express his views. A company is only out for profit. Your modern newspaper is just a shop. It’s only purpose is to attract customers. Look at the Methodist Herald, owned by the same syndicate of Jews that runs the Racing News. They work it as far as possible with the same staff.” Oh, the things she was going to get fond of! The things that her poor, round foolish eyes gloated upon the moment that she saw them! Joan tried to enlist the shopman on her side, descending even to flirtation. Unfortunately he was a young man with a high sense of duty, convinced that his employer’s interests lay in his support of Mrs. Phillips. The sight of the furniture that, between them, they selected for the dining-room gave Joan a quite distinct internal pain. They ascended to the floor above, devoted to the exhibition of “Recherché drawing-room suites.” Mrs. Phillips’s eye instinctively fastened with passionate desire upon the most atrocious. Joan grew vehement. It was impossible. Mrs. Denton’s friends called upon her, and most of them invited her to their houses. A few were politicians, senators or ministers. Others were bankers, heads of business houses, literary men and women. There were also a few quiet folk with names that were historical. They all thought that war between France and England would be a world disaster, but were not very hopeful of averting it. She learnt that Carleton was in Berlin trying to secure possession of a well-known German daily that happened at the moment to be in low water. He was working for an alliance between Germany and England. In France, the Royalists had come to an understanding with the Clericals, and both were evidently making ready to throw in their lot with the war-mongers, hoping that out of the troubled waters the fish would come their way. Of course everything depended on the people. If the people only knew it! But they didn’t. They stood about in puzzled flocks, like sheep, wondering which way the newspaper dog was going to hound them. They took her to the great music halls. Every allusion to war was greeted with rapturous applause. The Marseillaise was demanded and encored till the orchestra rebelled from sheer exhaustion. Joan’s patience was sorely tested. She had to listen with impassive face to coarse jests and brutal gibes directed against England and everything English; to sit unmoved while the vast audience rocked with laughter at senseless caricatures of supposed English soldiers whose knees always gave way at the sight of a French uniform. Even in the eyes of her courteous hosts, Joan’s quick glance would occasionally detect a curious glint. The fools! Had they never heard of Waterloo and Trafalgar? Even if their memories might be excused for forgetting Crecy and Poictiers and the campaigns of Marlborough. One evening—it had been a particularly trying one for Joan—there stepped upon the stage a wooden-looking man in a kilt with bagpipes under his arm. How he had got himself into the programme Joan could not understand. Managerial watchfulness must have gone to sleep for once. He played Scotch melodies, and the Parisians liked them, and when he had finished they called him back. Joan and her friends occupied a box close to the stage. The wooden-looking Scot glanced up at her, and their eyes met. And as the applause died down there rose the first low warning strains of the Pibroch. Joan sat up in her chair and her lips parted. The savage music quickened. It shrilled and skrealed. The blood came surging through her veins.