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"I don't know that: Lilian Chetwoode made him welcome in her house last night," says Doatie, a little bitterly. "Like that? Not a bit of it," says Geoffrey, who had given her two kisses for her one: "you mustn't expect it. She isn't in the least like that. She will meet you probably as though she saw you yesterday, and say, 'How d'ye do? I'm afraid you have had a very long and cold drive.' And then you will say——" "Perhaps they make their own unhappiness," says Mona, at random. "But Nicholas has done nothing. He is good and gentle always. He knows no evil thoughts. He wishes ill to no man.".

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Her face changes. He has made no mention of the treasured gown, has said no little word of praise. "Yes, long ago," says Geoffrey, with animation. "Quite an hour ago." To-morrow will be market-day in Bantry, to which the week's butter must go; and now the churning is over, and the result of it lies cold and rich and fresh beneath Mona's eyes. She herself is busily engaged printing little pats off a large roll of butter that rests on the slab before her; her sleeves are carefully tucked up, as on that first day when Geoffrey saw her; and in defiance of her own heart—which knows itself to be sad—she is lilting some little foolish lay, bright and shallow as the October sunshine that floods the room, lying in small silken patches on the walls and floor. She excuses her unwonted drowsiness with a little laugh, natural and friendly, and begs them "not to betray her." Clothed in all this sweetness she drops a word or two meant to crush Mona; but that hapless young woman hears her not, being bent on explaining to Mrs. Carson that, as a rule, the Irish peasantry do not go about dressed only in glass beads, like the gay and festive Zulus, and that petticoats and breeches are not utterly unknown..