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It seems such a direct running commentary on Mona's supposed ill deed that every one—as by a single impulse—looks up. Nolly and Jack Rodney exchange covert glances. But for the depression that reigns all round, I think these two would have given way to frivolous merriment. Mona, turning, confronts the frightened group in the corner, both men and women, with a face changed and aged by grief and indignation. "No, she didn't," interposes he, lightly. "She never funked it for a moment: she's got any amount of pluck. He didn't exactly press it against her forehead, you know; but," airily, "it is all the same thing.".
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Conrad
"You are at Mangle Farm," returns she. Then, judging by the blank expression on his face that her words bring him no comfort, she continues with a smile, "That doesn't seem to help you much, does it?" Whereat the boy smiles and grins consumedly, as though charmed with his companion's metaphor, though in reality he understands it not at all. His host going to the window when breakfast is at an end, Geoffrey follows him; and both look out upon the little garden before them that is so carefully and lovingly tended. "But you have interested me," says Geoffrey, seating himself on the broad sill of the window, as though preparing for a long dissertation on matters still unknown. "Pray tell me how your brother and his lovely wife—who evidently was as wise and true as she was lovely—got on.".
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