God. The Eternal Creator. Out of matter, lifeless void, he had moulded His worlds, had ordered His endless firmament. It was finished. The greater task remained: the Universe of mind, of soul. Out of man it should be created. God in man and man in God: made in like image: fellow labourers together with one another: together they should build it. Out of the senseless strife and discord, above the chaos and the tumult should be heard the new command: “Let there be Love.” It was a frightened face that looked at her out of the glass, as she stood before it taking off her hat.!

Joan felt relieved—she hardly knew why—that he bore the test. It was a well-built, athletic frame, and he had gone to a good tailor. He looked taller in them; and the strong, clean-shaven face less rugged. To reject it would be to dishonour it.

Flossie’s young man was standing near the fire talking, or rather listening, to a bird-like little woman in a short white frock and blue ribbons. A sombre lady just behind her, whom Joan from the distance took to be her nurse, turned out to be her secretary, whose duty it was to be always at hand, prepared to take down any happy idea that might occur to the bird-like little woman in the course of conversation. The bird-like little woman was Miss Rose Tolley, a popular novelist. She was explaining to Flossie’s young man, whose name was Sam Halliday, the reason for her having written “Running Waters,” her latest novel. Yes, it was true. It must have been the beginning of all things. Man, pitiless, deaf, blind, groping in the darkness, knowing not even himself. And to her vision, far off, out of the mist, he shaped himself before her: that dim, first standard-bearer of the Lord, the man who first felt pity. Savage, brutish, dumb—lonely there amid the desolation, staring down at some hurt creature, man or beast it mattered not, his dull eyes troubled with a strange new pain he understood not. Joan had gone out in September, and for a while the weather was pleasant. The men, wrapped up in their great-coats, would sleep for preference under the great sycamore trees. Through open doorways she would catch glimpses of picturesque groups of eager card-players, crowded round a flickering candle. From the darkness there would steal the sound of flute or zither, of voices singing. Occasionally it would be some strident ditty of the Paris music-halls, but more often it was sad and plaintive. But early in October the rains commenced and the stream became a roaring torrent, and a clammy mist lay like a white river between the wooded hills.