"I've been out a very short time," said Fleda, who had hung back with the general purpose of making things difficult for him. The street would make them difficult; she could trust the street. She reflected in time, however, that to betray to him she was afraid to admit him would give him more a feeling of facility than of anything else. She moved on with him after a moment, letting him direct their course to her door, which was only round a corner: she considered as they went that it might not prove such a stroke to have been in London so long and yet not to have called him. She desired he should feel she was perfectly simple with him, and there was no simplicity in that. None the less, on the steps of the house, though she had a key, she rang the bell; and while they waited together and she averted her face she looked straight into the depths of what Mrs. Gereth had meant by giving him the "tip." This had been perfidious, had been monstrous of Mrs. Gereth, and Fleda wondered if her letter had contained only what Owen repeated. These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!"!

Fleda was embarrassed; she had not made up her mind definitely to lie. "I didn't think you'd care." That small untruth she would risk. "It looks just like Waterbath; but, after all, we bore that together:" these words formed part of a letter in which, before the 17th, Mrs. Gereth, writing from disfigured Ricks, named to Fleda the day on which she would be expected to arrive there on a second visit. "I sha'n't, for a long time to come," the missive continued, "be able to receive any one who may like it, who would try to smooth it down, and me with it; but there are always things you and I can comfortably hate together, for you're the only person who comfortably understands. You don't understand quite everything, but of all my acquaintance you're far away the least stupid. For action you're no good at all; but action is over, for me, forever, and you will have the great merit of knowing, when I'm brutally silent, what I shall be thinking about. Without setting myself up for your equal, I dare say I shall also know what are your own thoughts. Moreover, with nothing else but my four walls, you'll at any rate be a bit of furniture. For that, you know, a little, I've always taken you—quite one of my best finds. So come, if possible, on the 15th."

She was not so stupid as not to see that something, though she scarcely knew what, was expected of her that she couldn't give; and the only mode her intelligence suggested of meeting the expectation was to plant her big feet and pull another way. Mrs. Gereth wanted her to rise, somehow or somewhere, and was prepared to hate her if she didn't: very well, she couldn't, she wouldn't rise; she already moved at the altitude that suited her, and was able to see that, since she was exposed to the hatred, she might at least enjoy the calm. The smallest trouble, for a girl with no nonsense about her, was to earn what she incurred; so that, a dim instinct teaching her she would earn it best by not being effusive, and combining with the conviction that she now held Owen, and therefore the place, she had the pleasure of her honesty as well as of her security. Didn't her very honesty lead her to be belligerently blank about Poynton, inasmuch as it was just Poynton that was forced upon her as a subject for effusiveness? Such subjects, to Mona Brigstock, had an air almost of indecency, and the house became uncanny to her through such an appeal—an appeal that, somewhere in the twilight of her being, as Fleda was sure, she thanked heaven she was the girl stiffly to draw back from. She was a person whom pressure at a given point infallibly caused to expand in the wrong place instead of, as it is usually administered in the hope of doing, the right one. Her mother, to make up for this, broke out universally, pronounced everything "most striking," and was visibly happy that Owen's captor should be so far on the way to strike: but she jarred upon Mrs. Gereth by her formula of admiration, which was that anything she looked at was "in the style" of something else. This was to show how much she had seen, but it only showed she had seen nothing; everything at Poynton was in the style of Poynton, and poor Mrs. Brigstock, who at least was determined to rise, and had brought with her a trophy of her journey, a "lady's magazine" purchased at the station, a horrible thing with patterns for antimacassars, which, as it was quite new, the first number, and seemed so clever, she kindly offered to leave for the house, was in the style of a vulgar old woman who wore silver jewelry and tried to pass off a gross avidity as a sense of the beautiful. It was part of the great rupture and an effect of Mrs. Gereth's character that up to this moment she had been completely and haughtily indifferent to that detail. Now, however, she had a visible reason for being clear about it. She bethought herself and she broke out—"Isn't the day past?" Then, stopping short, she added: "Upon my word, they must have put it off!" As Fleda made no answer to this she sharply went on: "Have they put it off?" "It's stronger than yours."