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"I am sorry I can tell you nothing," says Mona, shaking her head. "I was never in this wood before; I know nothing of it." "Very pretty indeed, and quite good taste and that. She's a Mrs. Lennox, and her husband is our master of the hounds. She is always quite correct in the matter of clothes." There is an awful reservation in her Grace's tone, which is quite lost upon Mona. "But she is by no means little in her own opinion, and in fact rather prides herself upon her—er—form generally," concludes the duchess, so far at a loss for a word as to be obliged to fall back upon slang. "I hardly like to ask her to do it," says the young man, divided between an overpowering desire to be made "comfortable," as she has expressed it, and a chivalrous fear that the sight of the nasty though harmless flesh-wound will cause her some distress. "Perhaps it will make you unhappy,—may shock you," he says to her, with some anxiety..
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"Well, so she is; and yet I suppose our expressions are dissimilar. Look here," says Geoffrey, suddenly, as though compelled at the last moment to give her a hint of what is coming. "I want to tell you about her,—my mother I mean: she is all right, you know, in every way, and very charming in general, but just at first one might imagine her a little difficult!" "I didn't make up the mare, miss, before comin' out wid ye," he says, mildly, telling this lie without a blush. "There," he said, "go and take the flesh of those animals." Then the people tried to do so. They tried to tear the limbs apart, but they could not. They tried to bite pieces out of the bodies, but they could not do that. Old Man went to the edge of the cliff and broke some pieces of stone with sharp edges, and showed them how to cut the flesh with these. Of the buffalo that went over the cliff, some were not dead, but were hurt, so they could not run away. The people cut strips of green hide and tied stones in the middle, and with these hammers broke in the skulls of the buffalo and killed them. "Not even to you," very gravely. There is reproof in her tone. They are standing somewhat apart, and her eyes have been turned from him. Now, as she says this, she changes her position slightly, and looks at him very earnestly. From the distant ballroom the sound of the dying music comes sadly, sweetly; a weeping fountain in a corner mourns bitterly, as it seems to Mona, tear by tear, perhaps for some lost nymph..
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