She had gone down to Liverpool, intending to persuade her father to leave the control of the works to Arthur, and to come and live with her in London; but had left without broaching the subject. There were nights when she would trapse the streets till she would almost fall exhausted, rather than face the solitude awaiting her in her own rooms. But so also there were moods when, like some stricken animal, her instinct was to shun all living things. At such times his presence, for all his loving patience, would have been as a knife in her wound. Besides, he would always be there, when escape from herself for a while became an absolute necessity. More and more she had come to regard him as her comforter. Not from anything he ever said or did. Rather, it seemed to her, because that with him she felt no need of words. Of course. For war you wanted men, to fight. She had been thinking of them in the lump: hurrying masses such as one sees on cinema screens, blurred but picturesque. Of course, when you came to think of it, they would have to be made up of individuals—gallant-hearted, boyish sort of men who would pass through doors, one at a time, into little rooms; give their name and address to a soldier man seated at a big deal table. Later on, one would say good-bye to them on crowded platforms, wave a handkerchief. Not all of them would come back. “You can’t make omelettes without breaking eggs,” she told herself.!

“Yes,” answered Joan. “He was a landscape painter, wasn’t he?” She did not look back.

Joan found herself tracing patterns with her spoon upon the tablecloth. “But you have won now,” she said, still absorbed apparently with her drawing, “you are going to get your chance.” “But the people who can get harmed,” argued Joan. “The men who will be dragged away from their work, from their business, used as ‘cannon fodder.’” She would write books. She would choose for her heroine a woman of the people. How full of drama, of tragedy must be their stories: their problems the grim realities of life, not only its mere sentimental embroideries. The daily struggle for bare existence, the ever-shadowing menace of unemployment, of illness, leaving them helpless amid the grinding forces crushing them down on every side. The ceaseless need for courage, for cunning. For in the kingdom of the poor the tyrant and the oppressor still sit in the high places, the robber still rides fearless.