He led the way to the piano. “Tell Madge I want her,” he whispered. He struck a few notes; and then in a voice that drowned every other sound in the room, struck up a comic song. “Oh, I haven’t given it up, not entirely,” the girl answered. “I can always get a couple of sovereigns for a sketch, if I want it, from one or another of the frame-makers. And they can generally sell them for a fiver. I’ve seen them marked up. Have you been long in London?”!

“They talk about the editor’s opinions,” struck in a fiery little woman who was busy flinging crumbs out of the window to a crowd of noisy sparrows. “It’s the Advertiser edits half the papers. Write anything that three of them object to, and your proprietor tells you to change your convictions or go. Most of us change.” She jerked down the window with a slam. “The business of the journalist,” the man had continued, “is to destroy the truth, to lie, to pervert, to vilify, to fawn at the feet of Mammon, to sell his soul for his daily bread. We are the tools and vassals of rich men behind the scenes. We are the jumping-jacks. They pull the strings and we dance. Our talents, our possibilities, our lives are the property of other men.”

She would make him put his arms around her. He laughed and put his arm round her. “Poor little woman,” he said. “You’re looking so tired. It was jolly at the end.” He kissed her. “All this talk of downing Militarism,” she continued. “It’s like trying to do away with the other sort of disorderly house. You don’t stamp out a vice by chivying it round the corner. When men and women have become decent there will be no more disorderly houses. But it won’t come before. Suppose we do knock Militarism out of Germany, like we did out of France, not so very long ago? It will only slip round the corner into Russia or Japan. Come and settle over here, as likely as not, especially if we have a few victories and get to fancy ourselves.”