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“No, no! Don’t, mother! I’ll run away! I’ll—” He groaned and left his sentence unfinished. “Here Mosey,” said Betty, “is a tin crown. You can fasten it on with this wire. See?” “Don’t feel so bad, Chick,” he comforted; “it won’t bring them to life, and it hurts you. That’s why you don’t grow faster; your feelings eats up all your blood.”.

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Mr. Wells the clergyman was of English birth, very conservative and inclined to be shy. He was unusually tall with broad shoulders. Mrs. Wopp once said of him, “When Mr. Wells gits his gownd on, he’s the hull lan’scape.” The deeply pious lady seldom criticized things ecclesiastical; but she had “feelin’s that ef Ebenezer Wopp bed of took to larnin’ like his Mar wished, he’d of looked amazin’ well in that pulpit, better nor Mr. Wells.” It was Mrs. Wopp’s voice. From her remarks one would gather that the rarest perfumes wafted on the winds invoked by Solomon could never seem so sweet to Woppian nostrils as the mingled odor of hay and freshly dug carrots. “You’re George Rideout Smith’s kid, ain’t you?” The loft in the barn had been swept and garnished by Mr. Wopp for Betty’s moving picture show, and thither, after the preliminary how-d’you-do’s were over, she led her eager audience. Her head was held at the exact angle for ascending the ladder to perform the imposing duties of moving picture operator, and her foot was on the first rung when she suddenly thought of the collection box for the carrots the children were carrying..