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Mrs. Dallas was a large, fat and eminently lazy woman, who passed most of her time in knitting or sleeping or eating. Her husband had died before she had come to England, and it was the desire to preserve her daughter's health which had brought her so far from the sun-baked islands which her soul loved. "O—oh," responded the girl, her face suddenly alight. "That is splendid. You know he's the most severe critic we have, but we all adore his work." Then she added as an afterthought: "He's tremendously popular with the men. He studied here, you know." Miss Jinny chuckled huskily. "Don't you worry about that," she said, mysteriously. "It ain't my health. It's something I didn't want to write on paper," and she tapped her upper lip suggestively..

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"The devil-stick," repeated the tramp, in wide-eyed surprise. "S'elp me, I don't know anything of it. Dr. Etwald met me, and ses he: 'You go to Miss Dallas?' and I ses, 'I does;' and he ses, 'You'll see Dido,' and I ses, 'I will;' and he ses, 'Say to her "Devil-stick,"' an' I ses, 'Right y'are, sir.' But es to knowing--" "Now you are making a mystery out of a plain, common-sense question," he said, irritably. "We all know that Maurice is in love," here he raised his eyes suddenly, and looked keenly at his friend, "with Lady Meg Brance." "I'd heard her say the Saturday that Miss Jinny came to see us that she never made sketches beforehand," said Judith, earnestly. "And she told Patricia the very day Elinor fainted that she hadn't begun her study. So I pretended to myself that we were all in a story, and I thought and thought what I should make of it if I were reading about it all instead of living in it. Then I saw that the thing to do was to find out if Doris Leighton had the little color sketch that she used for her study, and compare it with Elinor's." "Voodoo!" said she, in a harsh voice..