As soon as her sister was married she went down to Mrs. Gereth at Ricks—a promise to this effect having been promptly exacted and given; and her inner vision was much more fixed on the alterations there, complete now, as she understood, than on the success of her plotting and pinching for Maggie's happiness. Her imagination, in the interval, had indeed had plenty to do and numerous scenes to visit; for when on the summons just mentioned it had taken a flight from West Kensington to Ricks, it had hung but an hour over the terrace of painted pots and then yielded to a current of the upper air that swept it straight off to Poynton and to Waterbath. Not a sound had reached her of any supreme clash, and Mrs. Gereth had communicated next to nothing; giving out that, as was easily conceivable, she was too busy, too bitter, and too tired for vain civilities. All she had written was that she had got the new place well in hand and that Fleda would be surprised at the way it was turning out. Everything was even yet upside down; nevertheless, in the sense of having passed the threshold of Poynton for the last time, the amputation, as she called it, had been performed. Her leg had come off—she had now begun to stump along with the lovely wooden substitute; she would stump for life, and what her young friend was to come and admire was the beauty of her movement and the noise she made about the house. The reserve of Poynton and Waterbath had been matched by the austerity of Fleda's own secret, under the discipline of which she had repeated to herself a hundred times a day that she rejoiced at having cares that excluded all thought of it. She had lavished herself, in act, on Maggie and the curate, and had opposed to her father's selfishness a sweetness quite ecstatic. The young couple wondered why they had waited so long, since everything was after all so easy. She had thought of everything, even to how the "quietness" of the wedding should be relieved by champagne and her father kept brilliant on a single bottle. Fleda knew, in short, and liked the knowledge, that for several weeks she had appeared exemplary in every relation of life. These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!"!
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He spoke not impatiently, but with a kind of intimate familiarity, the sweetness of which made her feel a pang for having forced him to tell her what was embarrassing to him, what was even humiliating. Yes indeed, she knew all she needed: all she needed was that Mona had proved apt at putting down that wonderful patent-leather foot. Her type was misleading only to the superficial, and no one in the world was less superficial than Fleda. She had guessed the truth at Waterbath and she had suffered from it at Poynton; at Ricks the only thing she could do was to accept it with the dumb exaltation that she felt rising. Mona had been prompt with her exercise of the member in question, for it might be called prompt to do that sort of thing before marriage. That she had indeed been premature who should say save those who should have read the matter in the full light of results? Neither at Waterbath nor at Poynton had even Fleda's thoroughness discovered all that there was—or rather, all that there was not—in Owen Gereth. "Of course it makes all the difference!" she said in answer to his last words. She pursued, after considering: "What you wish me to say from you then to your mother is that you demand immediate and practically complete restitution?" "Naturally I want my own house, you know," he said, "and my father made every arrangement for me to have it. But she may make it devilish awkward. What in the world's a fellow to do?" This it was that Owen wanted to know, and there could be no better proof of his friendliness than his air of depending on Fleda Vetch to tell him. She questioned him, they spent an hour together, and, as he gave her the scale of the concussion from which he had rebounded, she found herself saddened and frightened by the material he seemed to offer her to deal with. It was devilish awkward, and it was so in part because Owen had no imagination. It had lodged itself in that empty chamber that his mother hated the surrender because she hated Mona. He didn't of course understand why she hated Mona, but this belonged to an order of mysteries that never troubled him: there were lots of things, especially in people's minds, that a fellow didn't understand. Poor Owen went through life with a frank dread of people's minds: there were explanations he would have been almost as shy of receiving as of giving. There was therefore nothing that accounted for anything, though in its way it was vivid enough, in his picture to Fleda of his mother's virtual refusal to move. That was simply what it was; for didn't she refuse to move when she as good as declared that she would move only with the furniture? It was the furniture she wouldn't give up; and what was the good of Poynton without the furniture? Besides, the furniture happened to be his, just as everything else happened to be. The furniture—the word, on his lips, had somehow, for Fleda, the sound of washing-stands and copious bedding, and she could well imagine the note it might have struck for Mrs. Gereth. The girl, in this interview with him, spoke of the contents of the house only as "the works of art." It didn't, however, in the least matter to Owen what they were called; what did matter, she easily guessed, was that it had been laid upon him by Mona, been made in effect a condition of her consent, that he should hold his mother to the strictest accountability for them. Mona had already entered upon the enjoyment of her rights. She had made him feel that Mrs. Gereth had been liberally provided for, and had asked him cogently what room there would be at Ricks for the innumerable treasures of the big house. Ricks, the sweet little place offered to the mistress of Poynton as the refuge of her declining years, had been left to the late Mr. Gereth, a considerable time before his death, by an old maternal aunt, a good lady who had spent most of her life there. The house had in recent times been let, but it was amply furnished, it contained all the defunct aunt's possessions. Owen had lately inspected it, and he communicated to Fleda that he had quietly taken Mona to see it. It wasn't a place like Poynton—what dower-house ever was?—but it was an awfully jolly little place, and Mona had taken a tremendous fancy to it. If there were a few things at Poynton that were Mrs. Gereth's peculiar property, of course she must take them away with her; but one of the matters that became clear to Fleda was that this transfer would be immediately subject to Miss Brigstock's approval. The special business that she herself now became aware of being charged with was that of seeing Mrs. Gereth safely and singly off the premises.
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As soon as her sister was married she went down to Mrs. Gereth at Ricks—a promise to this effect having been promptly exacted and given; and her inner vision was much more fixed on the alterations there, complete now, as she understood, than on the success of her plotting and pinching for Maggie's happiness. Her imagination, in the interval, had indeed had plenty to do and numerous scenes to visit; for when on the summons just mentioned it had taken a flight from West Kensington to Ricks, it had hung but an hour over the terrace of painted pots and then yielded to a current of the upper air that swept it straight off to Poynton and to Waterbath. Not a sound had reached her of any supreme clash, and Mrs. Gereth had communicated next to nothing; giving out that, as was easily conceivable, she was too busy, too bitter, and too tired for vain civilities. All she had written was that she had got the new place well in hand and that Fleda would be surprised at the way it was turning out. Everything was even yet upside down; nevertheless, in the sense of having passed the threshold of Poynton for the last time, the amputation, as she called it, had been performed. Her leg had come off—she had now begun to stump along with the lovely wooden substitute; she would stump for life, and what her young friend was to come and admire was the beauty of her movement and the noise she made about the house. The reserve of Poynton and Waterbath had been matched by the austerity of Fleda's own secret, under the discipline of which she had repeated to herself a hundred times a day that she rejoiced at having cares that excluded all thought of it. She had lavished herself, in act, on Maggie and the curate, and had opposed to her father's selfishness a sweetness quite ecstatic. The young couple wondered why they had waited so long, since everything was after all so easy. She had thought of everything, even to how the "quietness" of the wedding should be relieved by champagne and her father kept brilliant on a single bottle. Fleda knew, in short, and liked the knowledge, that for several weeks she had appeared exemplary in every relation of life. Something in this touched the girl so that for a moment she could not trust herself to speak. "You're an honest man," she said at last. She had gone to the door and opened it. "Good-bye." "Only last week; it seems a hundred years. We've worked here as fast as we worked there, but I'm not settled yet: you'll see in the rest of the house. However, the worst is over."
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