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"Well, you know it now. I do object," says Geoffrey, in a tone he has never used to her before. Not that it is unkind or rude, but cold and unlover-like. Over the meadows and into the wood goes Mona, to where a streamlet runs, that is her special joy,—being of the garrulous and babbling order, which is, perhaps, the nearest approach to divine music that nature can make. But to-day the stream is swollen, is enlarged beyond all recognition, and, being filled with pride at its own promotion, has forgotten its little loving song, and is rushing onward with a passionate roar to the ocean. There is no vehement applause as Mona takes her fingers from the keys, but every one says, "Thank you," in a low tone. Geoffrey, going up to her, leans over her chair and whispers, with some agitation,—.
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Conrad
This last remark, being in a degree ungenerous, causes a sensation. A young man, stepping out from the confusion, says, very earnestly,— "I hope it is," says Geoffrey; "though, taking your words for gospel, it rather puts me out in the cold. My mother seems to have had rather a good time all through, devoid of anything that might be termed trouble." "The names are original, at all events," says Geoffrey,—"which is a great charm. One gets so tired of 'Rags and Tatters,' 'Beer and Skittles,' 'Cakes and Ale,' and so forth, where pairs are in question, whether they be dogs or ponies." "Why not? You will go there, perhaps when you are married.".
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